If you follow the career of Makato Shinkai, you know he is renowned world-wide for his anime films, Your Name and Weathering With You being... Read More
Film Reviews
What’s a year without a Hong Sang-soo film? Does a film festival even exist, if it does not feature a regular slot for the prolific... Read More
Berlin Film Festival favourite Christian Petzold is back in competition with his latest film, Roter Himmel, titled Afire in English. Thomas Shubert stars alongside long-time... Read More
Well, you certainly can’t accuse the makers of Cocaine Bear of making any false promises – the film is indeed about a bear that does... Read More
Three devastatingly attractive people are sitting at a bar: who are they? Or more importantly, who are they to each other? This initial curiosity bordering... Read More
Disco Boy is both equal parts mysterious and beguiling, as director Giacomo Abbruzzese guides the audience on a harrowing, yet intimate and sometimes dream-like journey.... Read More
Israeli director Guy Nattiv’s latest film is a biopic about the first and only female prime minister of Israel. Helen Mirren is nearly unrecognisable as... Read More
Vasilis Katsoupis’s debut feature is a claustrophobic psychological drama that features an unbridled Willem Dafoe performance. The Berlinale is the perfect debut platform for a... Read More
Femme is a neo-noir-inspired queer revenge thriller that stars British actors Nathan Stewart-Jarrett and George MacKay. Writer-directors Sam H. Freeman and Ng Choon Ping show... Read More
Margarethe von Trotta’s latest film is a graceful triumph of modern European cinema. Vicky Krieps is the window into the heart of von Trotta’s film,... Read More

‘Suzume’ review: Makoto Shinkai’s latest anime masterpiece is a jaw-dropping epic | Berlinale
‘In Water (mul-an-e-seo)’ review: Hong Sang-soo blurs the lines of his own self-reference to middling effect | Berlinale
‘Roter Himmel (Afire)’ review: Paula Beer is on fire in Christian Petzold’s tragicomic climate crisis allegory | Berlinale
‘Cocaine Bear’ review: Elizabeth Banks’s film roars with laughter at itself, but audiences may just give a few snorts
‘Past Lives’ review: Celine Song’s poignant debut is a nuanced little wonder | Berlinale
‘Disco Boy’ review: Franz Rogowski enchants in Giacomo Abbruzzese’s daring, dreamlike debut feature | Berlinale
‘Golda’ review: An impressive Helen Mirren can’t save one-sided legacy biopic embedded with a fear of Meir | Berlinale
‘Inside’ review: Art thief Willem Dafoe gets locked up by human isolation in COVID-allegorical psychological drama | Berlinale
‘Femme’ review: George MacKay is frightening as a hyper-masculine thug in this daring London-set neo-noir | Berlinale
‘Ingeborg Bachmann – Journey into the Desert’ review: Vicky Krieps disappears in Margarethe von Trotta’s elegant return to cinema | Berlinale
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films