‘Apollo 10 ½: A Space Age Childhood’ review: To nostalgia and beyond [Grade: B] | SXSW
Over the last couple of years, we have seen directors take themselves back to times in their lives, and retell events or stories of their... Read More
SXSW Festival
‘The Unbearable Weight of Massive Talent’ review: Being Nic Fucking Cage [Grade: B+] | SXSW
“Who is Nicolas Cage?” It was the final question to our interview we had a couple of months back with the veteran, legendary actor in... Read More
‘The Lost City’ review: Sandra Bullock and Channing Tatum charm in a cute but stale retread of familiar jungle territory [Grade: B-] | SXSW
The phrase “they don’t make them like they used to” is floated around a lot with modern art, whether it is movies, books, television, or... Read More
‘Everything Everywhere All at Once’ review: The Daniels return with an off-the-wall multiverse where Michelle Yeoh delivers her best work to date [Grade: B+] | SXSW
Life is full of difficult choices that define who we are and what our future will be. Once they are made, there is no going... Read More
Interview: Megan Park, director of SXSW winner ‘The Fallout’ on the tricky line of exploring trauma without exploitation
In a March wracked by mass shootings in Atlanta and Boulder, it’s grotesquely fitting that writer-director Megan Park’s debut feature, The Fallout, greeted audiences at... Read More
SXSW Review: ‘Women Is Losers’ aims high but falls short despite winning performance from Lorenza Izzo
Set in 1960s and 1970s San Francisco, Women Is Losers, cannot be faulted for its ambition. With a higher production value than most first features,... Read More
SXSW Review: ‘I’m Fine (Thanks for Asking)’ is just, well, fine
Set during, yet never mentioning, the ongoing pandemic, I’m Fine (Thanks for Asking) follows widowed Danny (Kelley Kali), mother of a young daughter named Wes... Read More
SXSW Review: ‘Ludi’ deftly explores identity and the American Dream with a breakout performance by Shein Mompremier
The greatest thing one can say about art is how it broadens their horizons. Director Edson Jean’s debut feature Ludi certainly had that type of... Read More
SXSW Review: A weaker strain in the era of the COVID comedy, ‘Recovery’ doesn’t commit to the heart of the joke
Written by and starring Mallory Everton and Whitney Call, Recovery doesn’t make any mistake about its time and place. Set in the beginning stages of... Read More
SXSW Review: Despite a thrilling performance from Leah Purcell, ‘The Drover’s Wife’ never reaches its full potential
When we are little, we are told stories that mold our inspirations as human beings. Some tales are wrapped within decades of different versions and... Read More
2025 Emmy Predictions: The Comedy Categories are a Battle of Seniors vs Freshmen 
‘The Amateur’ Review: Rami Malek Joins the Dead Wives Club in Stodgy, Data-Driven Thriller [C] 
Diego Luna to Host 2025 Academy of Motion Picture Arts and Sciences’ Scientific and Technical Awards 
Amy Sherman-Palladino and Daniel Palladino to Receive Creator Tribute at 2nd Annual Gotham Television Awards