Telluride Film Festival

2024 Telluride Film Festival Capsule Reviews: ‘Anora,’ ‘September 5,’ ‘The Piano Lesson’

ANORA (dir. Sean Baker, NEON) Mikey Madison is truly an iconic star. As the spunky Ani, an exotic dancer from… Read More

September 6, 2024

2024 Telluride Film Festival Capsule Reviews: ‘The End,’ ‘Emilia Peréz,’ ‘Saturday Night’

In this Telluride Film Festival capsule review edition we've got Joshua Oppenheimer's golden age musical The End, Jacques Audiard's Cannes-winning… Read More

September 5, 2024

2024 Telluride Film Festival Capsule Reviews: ‘Conclave,’ Nickel Boys,’ ‘Maria’

In part one of three sets of capsule reviews from the 2024 Telluride Film Festival, I take a look at… Read More

September 5, 2024

‘The Outrun’ Review: Saoirse Ronan is Towering in Sensitive Yet Uneven Recovery Drama | Telluride

At the 51st Telluride Film Festival, Saoirse Ronan became one of the youngest actors to be recognized with the prestigious… Read More

September 5, 2024

‘The End’ Review: It’s An End of the World Musical As We Know It (and It’s Not Fine) | Telluride

Stories observing the lives of the wealthy elite are ubiquitous in modern cinema. Whether the film is as daring and… Read More

September 3, 2024

‘The Piano Lesson’ Review: Malcolm Washington’s Promising Debut Feature Makes Him One to Watch Out For | Telluride

Malcolm Washington’s directorial debut, The Piano Lesson, doesn’t start out like the original source material from stage by the legendary… Read More

September 3, 2024

‘Emilia Pérez’ Review: Women on the Verge of a Nervous Breakdance | Telluride

French auteur Jacques Audiard’s Emilia Pérez took the Cannes Film Festival by storm, winning the Jury Prize as well as… Read More

September 3, 2024

‘Saturday Night’ Review: Cocaine, Mom Jokes and a Race Against the Clock Punctuate Jason Reitman’s Tribute to the First Night of ‘SNL’ | Telluride

From the moment Jason Reitman’s Saturday Night begins, the clock is ticking as it leads up to the first ever… Read More

September 3, 2024

‘Nickel Boys’ Review: RaMell Ross’ Audacious Colson Whitehead Adaptation is a New American Masterpiece | Telluride

Colson Whitehead’s Pulitzer Prize-winning novel, “The Nickel Boys,” begins with an arresting line: “Even in death, the boys were trouble.”… Read More

September 2, 2024

‘Conclave’ Review: The Audacity of Pope | Telluride

“I took my team through the mud,” said Edward Berger to a packed audience before the world premiere of his… Read More

September 1, 2024

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