‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride
From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in time by presenting a film... Read More
Telluride Film Festival
‘Bones and All’ review: Taylor Russell and Timothée Chalamet are fine young cannibals in Luca Guadagnino’s gory, romantic road-mance [A-] | Telluride Film Festival
Director Luca Guadagnino is working on levels of comfort, or discomfort, most directors take their entire career to find. His last two directorial efforts brought... Read More
‘The Wonder’ review: Florence Pugh’s performance and Ari Wegner’s cinematography deliver in Sebastián Lelio’s effective gothic drama [B] | Telluride Film Festival
The legitimacy of miracles is front in center in Sebastián Lelio’s eerie period piece, The Wonder. Some people argue that miracles come in all forms... Read More
‘Empire of Light’ review: Olivia Colman and Micheal Ward light up the screen in Sam Mendes’ latest [B+] | Telluride Review
For the last two years, people have been locked away due to the ongoing Covid-19 pandemic and other various spreader events plaguing the world. When... Read More
‘Bardo’ review: Inside a grand, spectacular vision, director Alejandro G. Iñárritu makes his most personal film to date [B+] | Telluride Film Festival
When we first find Silverio Gama (Daniel Giménez Cacho), renowned Mexican journalist turn successful documentarian, he is having a wild set of dreams. From floating... Read More
‘Wishful Thinking,’ ‘Over Your Dead Body’ Among 2026 SXSW Film & TV Festival Juried and Audience Award Winners 
Director Watch Podcast Ep. 144 – ‘A Matter of Life and Death (Powell and Pressburger, 1946) with Special Guest Jesse Nussman 
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More 
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’