Toronto International Film Festival

‘All Quiet on the Western Front’ review: Edward Berger’s adaptation of Remarque’s classic anti-war novel is a staggering achievement [A] | Toronto

At the beginning of his 1928 novel, All Quiet on the Western Front, Erich Maria Remarque issues the following statement:… Read More

September 19, 2022

‘Glass Onion: A Knives Out Mystery’ review: Rian Johnson’s follow-up to his smash hit is a worthy sequel that entertains and grips throughout [B+] | Toronto

One of the most anticipated films at this year’s Toronto International Film Festival, Rian Johnson’s Glass Onion: A Knives Out… Read More

September 19, 2022

‘A Gaza Weekend’ review: Basil Khalil’s feature debut is an underwhelming, uneven comedy of finding human compassion in the direst of circumstances [C-] | Toronto

One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is… Read More

September 19, 2022

‘The Fabelmans’ review: Steven Spielberg’s most personal film celebrates the art and struggles of telling stories through film [B+] | Toronto

In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love… Read More

September 18, 2022

‘Plan 75’ review: Chie Hayakawa’s feature debut is a heartbreaking look at isolation and displacement [B+] | Toronto

Japan’s official submission for this year’s Academy Awards in the International Feature Film category, Chie Hayakawa’s Plan 75 is an… Read More

September 18, 2022

‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto

Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope.… Read More

September 18, 2022

‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto

There are films that linger with you after the lights go back on. You keep thinking about them, their characters… Read More

September 17, 2022

‘EO’ review: Jerzy Skolimowski’s film is a poetic, contemplative and heartbreaking account of human cruelty [A-] | Toronto

Certainly one of the year’s standout films, Jerzy Skolimowski’s EO is almost silent but says quite a lot about humanity,… Read More

September 17, 2022

‘Sanctuary’ review: Christopher Abbott and Margaret Qualley sizzle in a twisty, sexy romance that slaps [B+] | Toronto

BDSM has gotten a bad rap on film. Often presented as something indicative of a broken psyche or deviant behavior,… Read More

September 16, 2022

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