Anne (Anamaria Vartolomei) is a brilliant Literature student. She’s at the top of her class, deep in her studies, and ready to pass her exams.... Read More
Reviews
The 1990s were a turning point in ways that make the huge nostalgia trend happening right now even more fascinating than the time period itself.... Read More
The concept of gaslighting is not a recent term, the word originated from a 1938 play (and subsequent film adaptation of the same name six... Read More
It has taken Hollywood a long time to embrace the full breadth of the queer experience, only recently discovering that LGBTQ people are more than... Read More
In sports, there is nothing better than a rivalry. When two opponents step up to face one another, and have nothing more than animosity towards... Read More
If a film’s logline refers to the protagonist as someone who “gets caught up in the criminal underworld in Los Angeles,” there’s a good chance... Read More
Bored out of her mind, 17-year-old Lea (Lily McInerny) is doing what a normal teenager has to do to fill in the time before her... Read More
Exactly a year removed from the premiere of the acclaimed documentary Flee at last year’s Sundance Film Festival, comes My Old School, another nonfiction film... Read More
Ashes in the snow. That is what we see in the beginning of Julian Higgins’ slow-burn thriller, God’s Country, as Sandra Guidry (a dynamic Thandiwe... Read More
Riley Stearns was one of my favorite discoveries at SXSW 2019. Nearly every writing and directing decision in The Art of Self-Defense was on my... Read More

Sundance Review: Audrey Diwan’s Golden Lion winner ‘Happening’ is intense, visceral filmmaking at its best [Grade: A-]
‘Pam & Tommy’ review: Sex lives and videotape and the rightful reparation of Pamela Anderson [Grade: A-]
‘The Woman in the House Across the Street from the Girl in the Window’ review: A silly and seductive satire [Grade: B+]
Sundance Review: Not even a charming Dakota Johnson can save bland coming out rom-com ‘Am I OK? [Grade: D]
Sundance Review: Eva Longoria Bastón examines the feud and friendship of Oscar De La Hoya and Julio César Chávez, Latinx pride in documentary ‘La Guerra Civil’ [Grade: B+]
Sundance Review: ‘Emily the Criminal’ is a lean, mean thriller with Aubrey Plaza’s most subversive performance ever [Grade: A]
Sundance Review: Mind the age gap and narrative cohesion in ‘Palm Trees and Power Lines,’ stay for Lily McInerny’s bracing performance [Grade: C-]
Sundance Review: Jono McLeod’s doc ‘My Old School’ threads a fine line between humor and pain, truth and lies [Grade: B]
Sundance Review: Julian Higgins’ ‘God’s Country’ is a showcase for a powder keg performance from Thandiwe Newton [Grade: B]
Sundance Review: Riley Stearns’ sci-fi satire ‘Dual’ gives us a killer double dose of Karen Gillan [Grade: B+]
Motion Picture Sound Editors (MPSE) Announce Dates for 2027 and 2028 Awards
Director Watch Podcast Ep. 148 – ‘Peeping Tom’ (Powell, 1960)
2026 Chicago Critics Film Festival top Open with Olivia Wilde’s ‘The Invite,’ Announces Special Guests and Recipients of 2026 Emerging Critics Grant
The 79th Cannes Film Festival Lineup is Here, With A Strong Global Slate of Films from Ryusuke Hamaguchi, Cristian Mungiu, Jane Schoenbrun, and More