‘The Velvet Underground’ review: Music doc from Todd Haynes brilliantly reintroduces important counterculture voices to a new generation [Grade: A] (Mill Valley Film Festival)
Much like the eponymous band it explores, The Velvet Underground defies documentary narrative conventions by focusing on its themes, first and foremost, letting the story... Read More
Reviews
‘The Phantom of the Open’ review: Mark Rylance hits an ace in endearing sports comedy [Grade B+] (London Film Festival)
Craig Roberts’ latest sees Mark Rylance delivering the most endearing performance of the year, he is incredibly lovable. Obviously, with The Phantom of the Open... Read More
Review: ‘Detention’ (返校) tests the storytelling boundaries of video game and film [Grade: B-]
To make a successful film adaptation of a video game is to understand the strengths and limitations of both mediums. Amongst the many differences, the... Read More
‘Paris, 13th District’ review: Noémie Merlant shines in a tender, yet dreamy tale of human connection [Grade: A] (London Film Festival)
Jacques Audiard’s latest is a tender, dream-like tale about people seeking true connection. Paris, 13th District marks Audiard’s first step back to his native language... Read More
Previously on… ‘Survivor’ recap: S41 E4 – “Lions for Sacrificial Lambs”
At one point during the Episode 4 Reward Challenge of Survivor 41, Jeff Probst (clumsily) mentions how much he loves when the castaways become vulnerable,... Read More
‘Ali & Ava’ review: A well-rounded, typically British, social realist study [Grade: B] (London Film Festival)
Coming off the Ruth Wilson-starring film Dark River, Clio Bernard’s new film, Ali & Ava, is a sensitive exploration of two complexly troubled people, who... Read More
‘Great Freedom’ review: Franz Rogowski is transformative in this sombre period prison drama [Grade: A-] (London Film Festival)
Take it from someone who has lived here for all of his twenty-five years: Englanders, for the most part, are so blinded by exceptionalism as... Read More
‘The Tender Bar’ review: Ben Affleck raises the bar in George Clooney’s largely inept newest directorial outing [Grade: D+] (London Film Festival)
When you’re at a festival populated by indie slow-burners, a maudlin, easy-to-watch soap opera can be a wonderful, soupy balm. Just before the pandemic sent... Read More
‘You’ season 3 review: There goes the neighborhood as body counts rise faster than house prices [Grade: B-]
After starting out as a scrappy, well-written drama series on Lifetime and quickly spiraling into an overnight success thanks to new swathes of viewers after... Read More
NYFF Review: Ryusuke Hamaguchi’s 3-hour ‘Drive My Car (ドライブ・マイ・カー)’ is a detailed and meticulous ride that will quietly reward your patience [Grade: B+]
There’s something inherently fascinating about taking a short story and extending it to a feature film that asks for a three-hour runtime. You can sit... Read More
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More 
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director 
A Guide to the 2026 Oscar-Nominated Documentary Short Films 
A Guide to the 2026 Oscar-Nominated Live Action Short Films