“The first ten minutes weren’t so bad but then I realized I was in “Finding Nemo”. When I made my way to the right theater-... Read More
Reviews
“This year’s acting awards inspire a singular lack of anticipation,” bemoaned Gary Arnold of The Washington Post on the eve of the April 1974 Academy... Read More
In today’s Sundance 2024 review diary I look at three of the festival’s award winners in the U.S. Dramatic section: Sean Wang’s Dìdi (弟弟), which... Read More
“Whiplash! Love, Hershii,” reads the lipstick on the mirror when the Queens return to the Werkroom. Wouldn’t it be hilarious if one of the Queens,... Read More
“No one wants to watch another white guy with problems, not in this climate.” That’s the feedback Martin (David Schwimmer) gets on the film script,... Read More
I’ve hit the slopes of Sundance and by slopes I mean the comfort of my living room as the online component of the 2024 Sundance... Read More
In horror fan circles, one topic always guaranteed to spark heated debate is the matter of “fast zombies” vs. “slow zombies.” For most of cinema... Read More
Ben Gottlieb (Jason Schwartzman) is a cantor at a temple, but he’s hardly the best fit for his job at the moment because he just... Read More
It’s 1987 in Oakland. Friends emerge from the movie theater discussing what they just saw and are immediately confronted by whistles and insults from a... Read More
Tarrell (André Holland) is a loving father to his young son Jermaine (Daniel Berrier) and a loyal husband to his wife Aisha (Andra Day). When... Read More

Retrospective: Worst Picture/Best Picture: ‘Gigli’ and ‘The Lord of the Rings: Return of the King’ (2003)
50 Years Later: The Might and Majesty of Cicely Tyson and ‘The Autobiography of Miss Jane Pittman’ Remains [Retrospective]
Sundance 2024 Reviews: ‘Dìdi (弟弟),’ ‘In the Summers,’ ‘A Real Pain’
RuPaul’s Drag Race Recap S16E4: “You Can See Her Nefer-Titties”
‘Little Death’ Review: Separate Storylines Highlight Character Explorations in Jack Begert’s Lingering Debut | Sundance 2024
Sundance 2024 Reviews: ‘Ponyboi,’ ‘Love Me’ and ‘Thelma’
‘Handling the Undead’ Review: Return of the Slow Zombies | Sundance 2024
‘Between the Temples’ Review: Jason Schwartzman and Carol Kane Navigate Religion, Purpose, and Life in Nathan Silver’s Screwball Comedy | Sundance 2024
‘Freaky Tales’ Review: Anna Boden and Ryan Fleck Deliver An Epic Sampling of Violence and Victory in a Supercharged Oakland | Sundance 2024
‘Exhibiting Forgiveness’ Review: André Holland and John Earl Jelks Powerfully Delve into the Complexities of Father-Son Trauma in Titus Kaphar’s Poignant Feature Debut | Sundance 2024
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW