‘Blonde’ review: Ana de Armas plays Marilyn Monroe the celebrity in Andrew Dominik’s incendiary but sometimes frustratingly conventional biopic [B] | Venice Film Festival
In a lively interview with Sight & Sound to mark the release of Blonde, director Andrew Dominik describes his mission as recreating the “images” of... Read More
Reviews
‘Pinocchio’ review: A wooden imitation of the classic [C-]
The best and most interesting Disney remakes have always been the ones with something different to say, where the fundamental story beats are there but... Read More
‘Saint Omer’ review: Alice Diop’s affecting story about motherhood is a stunner [A] | Venice Film Festival
It’s November 2013, and in the small town of Berck-sur-mer, in northern France, a 15-month old baby is found dead on a beach. It’s a... Read More
‘Bones and All’ review: Taylor Russell and Timothée Chalamet are fine young cannibals in Luca Guadagnino’s gory, romantic road-mance [A-] | Telluride Film Festival
Director Luca Guadagnino is working on levels of comfort, or discomfort, most directors take their entire career to find. His last two directorial efforts brought... Read More
‘The Son’ review: Florian Zeller’s sophomore effort disappoints despite a great Hugh Jackman [C+] | Venice Film Festival
Florian Zeller’s stage trilogy about parent-child relationships and the devastating consequences of mental illness was one of the biggest surprises in the theater world of... Read More
‘The Wonder’ review: Florence Pugh’s performance and Ari Wegner’s cinematography deliver in Sebastián Lelio’s effective gothic drama [B] | Telluride Film Festival
The legitimacy of miracles is front in center in Sebastián Lelio’s eerie period piece, The Wonder. Some people argue that miracles come in all forms... Read More
‘The Eternal Daughter’ review: Tilda Swinton shines in Joanna Hogg’s painful, personal drama [A] | Venice Film Festival
Telling someone they are being “very British” is almost never meant as a compliment. The cursed phrase connotes repression, quiet, politeness over honesty, a love... Read More
‘Monica’ review: Trace Lysette is a revelation in Andrea Pallaoro’s delicate story of family and acceptance [B+] | Venice Film Festival
Our lives can sometimes be impacted by irreparable trauma, and even though we heal from it, it will leave us scarred. A parent’s rejection of... Read More
‘L’immensità’ review: A solid performance from Penélope Cruz doesn’t save Emanuele Crialese’s broadly drawn family drama [C+] | Venice Film Festival
Filmmakers often use cinema to tell personal stories, sometimes stories straight from their own childhood. Recently we’ve seen Alfonso Cuarón, Paolo Sorrentino, Kenneth Branagh, Steven... Read More
‘Cobra Kai’ review: Season three ups the ante with more karate and more laughs [A]
Considering its humble roots as an original series on the short-lived YouTube Red, it’s been nothing short of a delight to watch Cobra Kai slowly... Read More
2024 Georgia Film Critics Association (GAFCA) Nominations 
2025 Golden Globe Winner Predictions – Television 
2025 Golden Globe Winner Predictions – Motion Picture 
2024 UK Film Critics Association (UKFCA) Winners: ‘Dune: Part Two’ is Film of the Year