Ryûsuke Hamaguchi’s latest has a peculiar backstory. It was originally intended to be paired with singer Ishibashi Eiko’s live performances of her new songs. But... Read More
Reviews
The subject of hitmen has been a common theme in the Venice lineup this year. Audiences have been treated to the neo-noir thriller from David... Read More
“They have been watching us for 10 years. No one did anything,” bitterly remarks Syrian refugee Bashir (Jalal Altawil) when asked by activists to show... Read More
Sofia Coppola is back on the Lido once again for the first time since she presented Somewhere in 2010. One of the most anticipated titles... Read More
You can tell that Timm Kroeger was a cinematographer before he was a director. The German filmmaker’s second feature, following 2014’s well-regarded The Council of... Read More
Opening a film with a roar of choral singers and stylized Old English titles thrusts the viewer into a very familiar, traditional English world. But... Read More
Known for crafting edge-of-your-seat documentaries (Free Solo, The Rescue), Elizabeth Chai Vasarhelyi and Jimmy Chin venture into uncharted territory with their first narrative feature, NYAD.... Read More
Around five years ago, director Jeff Nichols came across a book of photography by Danny Lyon called The Bikeriders, which showed a group of greased... Read More
It’s not even a month since we lost the great William Friedkin. He made history as one of the leading directors of the ‘New Hollywood’,... Read More
Harmony Korine’s Aggro Dr1ft is best described as a perverted Grand Theft Auto-style fantasy. It’s an experimental film to its core, ignoring almost all narrative... Read More

‘Evil Does Not Exist’ Review: Ryûsuke Hamaguchi Delivers with a Simple and Authentic Slow Burner | Venice
‘Hit Man’ Review: Richard Linklater’s Latest is a Total Hit…Man | Venice
‘Green Border’ Review: Agnieszka Holland’s Devastating and Incisive Portrait of the Belarus-Poland Refugee Crisis | Venice
‘Priscilla’ Review: Cailee Spaeny is Pitch-Perfect in Sofia Coppola’s Demythologized Look at the Presleys | Venice
‘The Theory of Everything’ Review: Timm Kroeger’s Sophomore Feature is a Pulpy Adventure, as Impressive as it is Baffling | Venice
‘Saltburn’ Review: Emerald Fennell Throws a Brilliant Bacchanal of Obsession, Repulsion, and Desire | Telluride
‘NYAD’ Review: Annette Bening and Jodie Foster Just Keep Swimming | Telluride
‘The Bikeriders’ Review: Jeff Nichols’ Greaser Gang Takes a Road to Nowhere | Telluride
‘The Caine Mutiny Court-Martial’ Review: William Friedkin’s Final Film is Supported by a Sensational Company of Actors | Venice
‘Aggro Dr1ft’ Review: Harmony Korine’s Latest is a Sexist, Crude Grand Theft Auto-style Knockoff | Venice
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10