Matt Ruskin’s Boston Strangler is not the first time the titular serial killer has appeared onscreen. The 1964 The Strangler was inspired by the murders,... Read More
Reviews
Sophomore seasons of television can succumb to the same pitfalls as movie sequels: they can be bloated, try too hard to out-do what they’re following,... Read More
It’s been almost 10 years since the first John Wick brought Keanu Reeves (who was one of the biggest action stars of the 90s thanks... Read More
The music that Cora (Megan Stalter) plays isn’t particularly pleasant on the ears. With lyrics like “get out of my house” and “dreams are stupid... Read More
When do you really know that the world is ending, and it’s okay to do something completely out of character with irreversible consequences? There’s no... Read More
When we first meet Alejandro at a young age in Problemista, he is dreaming of a world beyond the one that we live in. His... Read More
Right before we were about to see Jake Johnson’s feature length directorial debut Self Reliance at the 2023 SXSW Film Festival, he came on stage... Read More
How do comedians deal with PTSD? Typically, it’s to tell jokes to mask or subvert the trauma, but that doesn’t necessarily make the pain go... Read More
As Emma Seligman’s sophomore feature film, Bottoms, begins, we are introduced to PJ (Rachel Sennott) and Josie (Ayo Edebiri), our two protagonists who we will... Read More
Behind the core of the role playing fantasy board game Dungeons and Dragons (D&D) lies the simple idea that makes audiences go to the movies;... Read More

‘Boston Strangler’ review: Keira Knightley is reliably great in film that highlights important work of the female journalists rather than the serial killer they’re covering
‘Yellowjackets’ season two review: Trauma deepens for the wilderness gang, as does the show’s richer examination of it
‘John Wick: Chapter 4’ review: The operatic fourth edition of the action series proves that too much is never enough | SXSW
‘Cora Bora’ review: Megan Stalter is a captivating, comedic wrecking ball in Hannah Pearl Utt’s hilarious and poignant comedy | SXSW
‘If You Were the Last’ review: Zoë Chao and Anthony Mackie give gravity some levity as stranded astronauts in an out-of-this-world comedy | SXSW
‘Problemista’ review: Julio Torres’s inventive immigration satire finds him bonded with an extra kooky Tilda Swinton | SXSW
‘Self Reliance’ review: Jake Johnson’s spoof on high concept game show premise plays it a bit too safe | SXSW
‘I Used to Be Funny’ review: Rachel Sennott is spectacular in Ally Pankiw’s confrontation of comedy and trauma | SXSW
‘Bottoms’ review: Emma Seligman’s unapologetically queer-centric high school sex comedy is a revelation for the subgenre | SXSW
‘Dungeons & Dragons: Honor Among Thieves’ review: Quest love and the friends you met along the way | SXSW
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW