‘Dune,’ ‘West Side Story,’ ‘Only Murders in the Building’ top 69th Golden Reel Awards

Erik Anderson March 14, 2022

The 69th Golden Reel Awards were held this Sunday, put on the by the Motion Picture Sound Editors (MPSE) guild, celebrating sound editing in film, television, video games and student work where Oscar sound nominees Dune and West Side Story were among winners alongside Nightmare Alley, The Underground Railroad, Succession and Only Murders in the Building.

This year’s ceremony was once again held virtually, with MPSE president Mark Lanza thanking members of the organization for their continued work over the course of the COVID-19 pandemic.

“These past two years, our members led the way in developing remote solutions that kept them working,” Lanza said at the ceremony. “We salute their ingenuity. MPSE has always stood for creativity and innovation.”

Dune, West Side Story and Nightmare Alley won the feature film’s main live action categories, with Raya and the Last Dragon taking animated, The Rescue recognized in documentary and Cliff Walkers awarded for sound editing of a foreign language feature.

In television, The Underground Railroad, Succession and Only Murders in the Building were winners with Arcane and Love & Robots representing in animation.

Special awards were given to Apollo 13 and A Beautiful Mind director Ron Howard, who was given the annual filmmaker award, presented by Supervising Sound Editor Danny Pagan, and the career achievement award was presented to Anthony J. Ciccolini III by Rickley W. Dumm.

Here is the complete list of winners of the 69th Golden Reel Awards in film and television.

Film

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR: Nightmare Alley

Supervising Sound Editor: Jill Purdy MPSE
Supervising Dialogue Editor: Jill Purdy MPSE
Supervising ADR Editor: Jill Purdy MPSE
Dialogue Editor: Nelson Ferreira MPSE

Outstanding Achievement in Sound Editing – Feature Effects / Foley: Dune

Supervising Sound Editors: Theo Green, Mark Mangini MPSE
Sound Designer: Dave Whitehead
Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero Mura
Foley Editor: Christopher Bonis
Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

Outstanding Achievement in Sound Editing – Feature Music: West Side Story

Music Editors: Joe E. Rand, Ramiro Belgardt
Scoring Editor: David Channing

Outstanding Achievement in Sound Editing – Feature Animation: Raya and the Last Dragon

Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker
Foley Editors: Chris Frazier, Steve Orlando
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Jim Weidman
Music Editor: David Olson

Outstanding Achievement in Sound Editing – Feature Documentary: The Rescue

Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Roland Vajs
Foley Artist: Nuno Bentro
Music Editor: Ben Smithers

Outstanding Achievement in Sound Editing – Foreign Language Feature: Cliff Walkers

Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE
ADR Editor: Li Xinghui
Foley Artist: Han Junsheng
Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison

Television

Outstanding Achievement in Sound Editing – Animation Series or Short: Love, Death + Robots: “Snow in the Desert”

Supervising Sound Editor: Brad North MPSE
Sound Designer: Craig Henighan MPSE
Foley Editors: Jeff Gross, Dawn Lunsford
Foley Artist: Alicia Stevens
Music Editor: Jeff Charbonneau

Outstanding Achievement in Sound Editing – Limited Series or Anthology: The Underground Railroad: Chapter 9: “Indiana Winter”

Supervising Sound Editor: Onnalee Blank MPSE
Sound Designers: Jay Jennings, Harry Cohen MPSE
Sound Effects Editor: Luke Gibleon
Dialogue Editors: Chris Kahwaty MPSE, Katy Wood
ADR Editor: Bryan Parker MPSE
Foley Editors: Pietu Korhonen, Lars Halvorsen
Foley Artist: Heikki Kossi MPSE
Music Editor: John Finklea

Outstanding Achievement in Sound Editing – Non-Theatrical Animation: Arcane – League of Legends: “When These Walls Come Tumbling Down”

Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
Supervising Music Editor: Alexander Temple
Supervising ADR Editor: Shannon Beaumont
Foley Editor: Alexander Ephraim MPSE
Foley Artists: Dan O’ Connell, John Cucci MPSE
Music Editor: Alex Seaver

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary: The Beatles Get Back: “Part 3”

Supervising Sound Editors: Brent Burge, Martin Kwok
Sound Editors: Matt Stutter MPSE, Buster Flaws, Melanie Graham
Dialogue Editor: Emile De La Rey
Music Editors: Steve Gallagher MPSE, Tane Upjohn-Beatson
Foley Editor: Michael Donaldson
Foley Artist: Simon Riley

Outstanding Achievement in Sound Editing – Non-Theatrical Feature: Infinite

Supervising Sound Editors: Mandell Winter MPSE, David Esparza MPSE
Sound Designer: Hamilton Sterling
Sound Effects Editor: Will Digby MPSE
Dialogue Editors: Micah Loken MPSE, Sang Kim
Foley Editor: Eryne Prine MPSE
Music Editor: Mark “Vordo” Wlodarkiewicz
Foley Artists: Dan O’Connell, John Cucci MPSE

Outstanding Achievement in Sound Editing – ½ Hour – Comedy or Drama: Only Murders in the Building: “The Boy From 6B”

Supervising Sound Editor: Mathew Waters
Dialogue Editor: Danika Wikke MPSE
Sound Effects Editor: Meredith Stacy
Music Editor: Micha Liberman

Outstanding Achievement in Sound Editing – Series 1 Hour – Dialogue / ADR: Succession: “Succession”

Supervising Sound Editor: Nicholas Renbeck MPSE
Dialogue Editor: Michael Feuser
ADR Editor: Angela Organ

Outstanding Achievement in Sound Editing – Series 1 Hour – Effects / Foley: The Witcher: “A Grain of Truth”

Supervising Sound Editor: Matthew Collinge
Sound Designers: Rob Turner, Alyn Sclosa, Rob Prynne
Foley Editors: Adam Oakley, Rob Weatherall
Foley Artists: Zoe Freed, Rebecca Heathcote

Outstanding Achievement in Sound Editing – Series 1 Hour – Music: Wu Tang: An American Saga: “Protect Ya Neck”

Music Editor: Sebastian Zuleta

Outstanding Achievement in Sound Editing – Game Audio: Call of Duty: Vanguard

Audio Director: David Swenson MPSE
Audio Leads: Matthew Grimm, Ryan McSweeney, Michael Caisley, Eric Wedemeyer
Supervising Sound Editors: Charles Deenen MPSE, Nick Interlandi, Nick Martin
Supervising Dialogue Editor: Emilio Lopez-Centellas, Adam Boyd MPSE, Hilary Long
Supervising Music Editors: Ted Kocher, Anthony Caruso
Sound Designers: Kegan Chau, Fernando Labarthe, Sheridan Willard, Tyler Cannan, Michael Tornabene, Peter Wayne, Liam Underwood, Don Veca, Jeremiah Sypult, Andy Bayless, Darren Blondin, Nicholas D’Amato, Jacob Denny, Jacob Harley, Vadim Nuniyants, Timothy Schlie, Aaron Brown, Ian Mika, Tory Bader, Corina Bello, Darrell Tung, Jonathan Gosselin, Nick Tremblay, Mathieu Denis, Mikael Frithiof, Jon Persson, Braden Parkes, Erick Ocampo, Mike Maksim, Matt Hall, Chris Diebold, Jeff Sawyer, Josh Moore, Igor Comes, Tim Gedemer MPSE, Klaus Shipman, Jim Schaefer, Rashaad Wiggins
Sound Editors: Daniel Petras, Jordan Ruhala, Matthew Schaff MPSE
Dialogue Editors: Robert Jackson, Maggie Wolf, Alvaro Vela, Serge J. Isaac, Stiv Schneider, Juliana Henao Mesa, David Price
Music Editors: Scott Shoemaker, Tao-Ping Chen, Adam Kallibjian, Rob Goodson, Andrew Buresh
Foley Artist: Foley Walkers

Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award): Build Me Up

Supervising Sound Editor: Wong Hui Grace

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.