Categories: Film ReviewsReviews

Film Review: ‘You Don’t Nomi’

Published by
Share
From the Peaches Christ annual live production of Showgirls, featured in YOU DON’T NOMI (Peaches Christ/Tribeca Film Festival)

I refuse to do a search because I’m afraid what it would tell me about how repetitive I get here on this website, but I’d wager a guess that at this point I’ve told the story about my opening night screening of Showgirls in 1995 as many times as I’ve actually watched Showgirls. I’d like to think that can hardly be the case — I’ve easily seen Showgirls dozens of times by now here 25 years on — but who knows. Nomi excuse me nobody knows. Anyway the story’s real short so I’ll indulge us again: it was a midnight screening, September 22nd 1995, and there were only five people scattered about the large theater. Me, my best friend, and three middle-aged men not sitting anywhere near each other. The lights went down, the projector started, and the three other men in the theater suddenly began chanting, as one, “Tits! Tits! Tits!” And that, my friends, was love at first Tits.

Telling a personal story about one’s relationship to Paul Verhoeven’s 1995 so-called “Masterpiece of Shit” here to introduce the brand new Showgirls documentary You Don’t Nomi, which is out on demand today, only seems right, since that’s what You Don’t Nomi turns out to be — it’s not really about the making of the movie, as it doesn’t talk directly to any of the talking heads involved with the film’s production; You Don’t Nomi is about the critic and the viewer’s relationship to the movie, and how it’s changed, critically and culturally, over the past 25 years. And as such it’s catnip to Camp Fanatics.

You Don’t Nomi skirts fine around its lack of access to the filmmakers with plenty of clips of the players through the years though, including a touching sequence towards the end that charts Berkley’s transformation from punchline to her seeming giddy embrace at one of those recent screenings — a transformation that basically mirrors the way the film itself’s trash legend has shaken and shimmied itself free of things like “logic” or “reality” to become something more — something more spiritual, something more transcendent.

Because make no mistake — Showgirls is a religion. Continue reading at MNPP…

You can rent You Don’t Nomi on Amazon now, and it’s finally hitting blu-ray in July.

Jason Adams

Jason knew the movies were his bag the second he saw that lawyer sitting on a toilet getting eaten by a Tyrannosaur, and he's never looked back once since. Simultaneously a movie snob who watches Fassbinder for fun while also being a trash apologist prone to reenacting the death scenes in the Friday the 13th series through vivid pantomime, he's got room for everything projected onto a big screen in his big roomy heart. He's been covering the daily beat on his site My New Plaid Pants since 2005 and is a regular contributor to The Film Experience. He's a member of GALECA: The Society of LGBTQ Entertainment Critics, and has been accredited to cover basically every New York City based film festival for the past ten years including NYFF and Tribeca. You can follow him on Twitter at @JAMNPP

Recent Posts

2024 North Carolina Film Critics Association (NCFCA) Nominations

The North Carolina Film Critics Association (NCFCA) has announced nominations for its 12th annual awards,… Read More

December 21, 2024

2024 Philadelphia Film Critics Circle (PFCC) Winners: ‘Anora’ Named Best Film Among its Six Awards

Anora was the big winner from the Philadelphia Film Critics Circle (PFCC), earning six awards… Read More

December 21, 2024

2024 Utah Film Critics Association (UFCA) Nominations

The Utah Film Critics Association (UFCA) has announced its nominees for excellence in filmmaking for… Read More

December 21, 2024

2024 Black Reel Awards Nominations: ‘Nickel Boys,’ ‘The Piano Lesson’ Lead

RaMell Ross' Nickel Boys and Malcolm Washington's The Piano Lesson lead the 2024 Black Reel… Read More

December 20, 2024

2024 Online Association of Female Film Critics (OAFFC) Nominations

Conclave and The Substance lead the 2024 Online Association of Female Film Critics (OAFFC) nominations… Read More

December 20, 2024

Interview: ‘Wallace & Gromit: Vengeance Most Fowl’ Directors Nick Park and Merlin Crossingham on Bringing Back Two of Animation’s Most Beloved Characters [VIDEO]

https://www.youtube.com/watch?v=pveuW8e5TmE More than 30 years ago, Nick Park introduced the world to an affable and… Read More

December 20, 2024

This website uses cookies.