The Oscar nominations for the 96th Academy Awards are in and, for the most part, without too many huge surprises (we’ll get to that), ones that really make us go back into the season, go to our color-coded Carrie Mathison working wall and wonder how we got here. Oppenheimer led, as we all knew it would, with Poor Things and Killers of the Flower Moon right behind. Despite each of them missing a few key nods, the tea leaves had shown themselves in the weeks leading up to nomination day.
Obviously the big talk of the day were the misses for Greta Gerwig in directing and Margot Robbie in best actress for Barbie. Within hours the discourse around each of these ‘snubs’ turned into a garbage pit of wildly nasty takes, flat out misunderstanding of voting and of individual branches and more misplaced and misused arguments disguised as feminism than a room full of men saying “Well, actually…” So I don’t think there’s much I can offer, or should offer, outside of not dismissing the fact that Gerwig is nominated for writing, Robbie is nominated for Best Picture, the directors nominated Justine Triet (Anatomy of a Fall) and actors nominated the first Indigenous Native American woman in Best Actress, Lily Gladstone (Killers of the Flower Moon), among other fantastic firsts, finallys and about times.
Best Actress remains a very interesting race, one between Emma Stone in Poor Things and Gladstone. They both won Golden Globes, Stone was Critics Choice. BAFTA will be a decisive victory for Stone as Gladstone isn’t even nominated there. That certainly gives Stone momentum going into Oscar voting just days later and this year, SAG lands right it in the middle of it. Each shared the lion’s share of critics’ wins and while many want to make the quick comparison to Michelle Yeoh and Cate Blanchett last year, I’m not sure that’s so apt. Killers of the Flower Moon is not Everything Everywhere All At Once, it’s not a frontrunner in any other category, and Poor Things isn’t TÁR, it has more than double that film’s nominations. Also in Stone’s favor is that her film didn’t miss anything it needed for her whereas Gladstone’s did. Since 2000, only three Best Actress winners won without either a makeup or a screenplay nomination: Julianne Moore Still Alice, Sandra Bullock in The Blind Side and Charlize Theron in Monster. Moore and Theron were their films’ only nomination and each came with either a ‘due’ factor or the classic ‘deglam’ element, and Bullock was in a Best Picture nominee that made $250M domestically on top of the $160M her other film made that year. It’s a random thing, to be sure, but like Mathison, we connect the dots where we can. SAG will tell us a lot; if they go for Stone then she’s all but locked for a second Best Actress win. If they go for Gladstone, the race stays a nail-biter. Now watch SAG go for Margot Robbie. Let the chaos begin.
Active members of the Academy are eligible to vote for the winners in all 23 categories beginning Thursday, February 22, through Tuesday, February 27.
The 96th Oscars will be held on Sunday, March 10 at 4pm PT – an hour earlier than usual – at the Dolby Theatre at Ovation Hollywood in Los Angeles.
Here are my Frontrunner Friday Oscar Predictions for the 2024 Oscars on Friday, January 26, 2024.
BEST PICTURE
Oppenheimer
The Holdovers
Poor Things
Anatomy of a Fall
American Fiction
Killers of the Flower Moon
Barbie
Maestro
The Zone of Interest
Past Lives
BEST DIRECTOR
Oppenheimer – Christopher Nolan
Anatomy of a Fall – Justine Triet
Poor Things – Yorgos Lanthimos
The Zone of Interest – Jonathan Glazer
Killers of the Flower Moon – Martin Scorsese
BEST ACTOR
Paul Giamatti in The Holdovers
Cillian Murphy in Oppenheimer
Bradley Cooper in Maestro
Jeffrey Wright in American Fiction
Colman Domingo in Rustin
SUPPORTING ACTOR
Robert Downey Jr. in Oppenheimer
Ryan Gosling in Barbie
Robert De Niro in Killers of the Flower Moon
Mark Ruffalo in Poor Things
Sterling K. Brown in American Fiction
BEST ACTRESS
Lily Gladstone in Killers of the Flower Moon
Emma Stone in Poor Things
Sandra Hüller in Anatomy of a Fall
Carey Mulligan in Maestro
Annette Bening in Nyad
SUPPORTING ACTRESS
Da’Vine Joy Randolph in The Holdovers
America Ferrera in Barbie
Emily Blunt in Oppenheimer
Jodie Foster in Nyad
Danielle Brooks in The Color Purple
ADAPTED SCREENPLAY
Barbie – Written by Greta Gerwig & Noah Baumbach
American Fiction – Written for the screen by Cord Jefferson
Oppenheimer – Written for the screen by Christopher Nolan
Poor Things – Screenplay by Tony McNamara
The Zone of Interest – Written by Jonathan Glazer
ORIGINAL SCREENPLAY
Anatomy of a Fall – Screenplay by Justine Triet and Arthur Harari
The Holdovers – Written by David Hemingson
Past Lives – Written by Celine Song
Maestro – Written by Bradley Cooper & Josh Singer
May December – Screenplay by Samy Burch; Story by Samy Burch & Alex Mechanik
FILM EDITING
Oppenheimer – Jennifer Lame
Anatomy of a Fall – Laurent Sénéchal
Killers of the Flower Moon – Thelma Schoonmaker
Poor Things – Yorgos Mavropsaridis
The Holdovers – Kevin Tent
CINEMATOGRAPHY
Oppenheimer – Hoyte van Hoytema
Killers of the Flower Moon – Rodrigo Prieto
Maestro – Matthew Libatique
Poor Things – Robbie Ryan
El Conde – Edward Lachman
COSTUME DESIGN
Barbie – Jacqueline Durran
Poor Things – Holly Waddington
Killers of the Flower Moon – Jacqueline West
Napoleon – Janty Yates and Dave Crossman
Oppenheimer – Ellen Mirojnick
PRODUCTION DESIGN
Barbie – Production Design: Sarah Greenwood; Set Decoration: Katie Spencer
Poor Things – Production Design: James Price and Shona Heath; Set Decoration: Zsuzsa Mihalek
Napoleon – Production Design: Arthur Max; Set Decoration: Elli Griff
Killers of the Flower Moon – Production Design: Jack Fisk; Set Decoration: Adam Willis
Oppenheimer – Production Design: Ruth De Jong; Set Decoration: Claire Kaufman
ORIGINAL SCORE
Oppenheimer – Ludwig Göransson
Killers of the Flower Moon – Robbie Robertson
Poor Things – Jerskin Fendrix
Indiana Jones and the Dial of Destiny – John Williams
American Fiction – Laura Karpman
ORIGINAL SONG
“What Was I Made For?” from Barbie Music and Lyric by Billie Eilish and Finneas O’Connell
“I’m Just Ken” from Barbie Music and Lyric by Mark Ronson and Andrew Wyatt
“Wahzhazhe (A Song For My People)” from Killers of the Flower Moon Music and Lyric by Scott George
“It Never Went Away” from American Symphony Music and Lyric by Jon Batiste and Dan Wilson
“The Fire Inside” from Flamin’ Hot Music and Lyric by Diane Warren
SOUND
Oppenheimer – Willie Burton, Richard King, Gary A. Rizzo and Kevin O’Connell
Maestro – Steven A. Morrow, Richard King, Jason Ruder, Tom Ozanich and Dean Zupancic
The Creator – Ian Voigt, Erik Aadahl, Ethan Van der Ryn, Tom Ozanich and Dean Zupancic
The Zone of Interest – Tarn Willers and Johnnie Burn
Mission: Impossible – Dead Reckoning Part One – Chris Munro, James H. Mather, Chris Burdon and Mark Taylor
MAKEUP AND HAIRSTYLING
Maestro – Kazu Hiro, Kay Georgiou and Lori McCoy-Bell
Poor Things – Nadia Stacey, Mark Coulier and Josh Weston
Golda – Karen Hartley Thomas, Suzi Battersby and Ashra Kelly-Blue
Society of the Snow – Ana López-Puigcerver, David Martí and Montse Ribé
Oppenheimer – Luisa Abel
VISUAL EFFECTS
The Creator – Jay Cooper, Ian Comley, Andrew Roberts and Neil Corbould
Napoleon – Charley Henley, Luc-Ewen Martin-Fenouillet, Simone Coco and Neil Corbould
Godzilla Minus One – Takashi Yamazaki, Kiyoko Shibuya, Masaki Takahashi and Tatsuji Nojima
Guardians of the Galaxy Vol. 3 – Stephane Ceretti, Alexis Wajsbrot, Guy Williams and Theo Bialek
Mission: Impossible – Dead Reckoning Part One – Alex Wuttke, Simone Coco, Jeff Sutherland and Neil Corbould
ANIMATED FEATURE
Spider-Man: Across the Spider-Verse – Kemp Powers, Justin K. Thompson, Phil Lord, Christopher Miller and Amy Pascal
The Boy and the Heron – Hayao Miyazaki and Toshio Suzuki
Elemental – Peter Sohn and Denise Ream
Nimona – Nick Bruno, Troy Quane, Karen Ryan and Julie Zackary
Robot Dreams – Pablo Berger, Ibon Cormenzana, Ignasi Estapé and Sandra Tapia Díaz
DOCUMENTARY FEATURE
20 Days in Mariupol – Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath
Bobi Wine: The People’s President – Moses Bwayo, Christopher Sharp and John Battsek
Four Daughters – Kaouther Ben Hania and Nadim Cheikhrouha
To Kill a Tiger – Nisha Pahuja, Cornelia Principe and David Oppenheim
The Eternal Memory – Nominees to be determined
INTERNATIONAL FEATURE FILM
The Zone of Interest – United Kingdom
Society of the Snow – Spain
The Teachers’ Lounge – Germany
Perfect Days – Japan
Io Capitano – Italy
ANIMATED SHORT
WAR IS OVER! Inspired by the Music of John & Yoko – Dave Mullins and Brad Booker
Letter to a Pig – Tal Kantor and Amit R. Gicelter
Pachyderme – Stéphanie Clément and Marc Rius
Our Uniform – Yegane Moghaddam
Ninety-Five Senses – Jerusha Hess and Jared Hess
DOCUMENTARY SHORT
Nǎi Nai & Wài Pó – Sean Wang and Sam Davis
The ABCs of Book Banning – Sheila Nevins and Trish Adlesic
The Last Repair Shop – Ben Proudfoot and Kris Bowers
The Barber of Little Rock – John Hoffman and Christine Turner
Island in Between – S. Leo Chiang and Jean Tsien
LIVE ACTION SHORT
The Wonderful Story of Henry Sugar – Wes Anderson and Steven Rales
The After – Misan Harriman and Nicky Bentham
Red, White and Blue – Nazrin Choudhury and Sara McFarlane
Knight of Fortune – Lasse Lyskjær Noer and Christian Norlyk
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013. He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.