Georgia Film Critics Association (GFCA) nominations: ‘Once Upon a Time…’ leads

The Georgia Film Critics Association (GFCA) have announced their full list of the best in 2019 film and Once Upon a Time in Hollywood, Parasite and Little Women lead the nominations.

All three earned Best Picture nominations and are joined by 1917, The Farewell, Ford v Ferrari, A Hidden Life, The Irishman, Marriage Story and Uncut Gems. Men dominated the Best Director field but women found nominations in the screenwriting categories: Lulu Wang (The Farewell) in original, and Greta Gerwig (Little Women) and Lorene Scafaria (Hustlers) in adapted.

Winners will be announced January 11. Here are the nominees.

PICTURE:
1917
The Farewell
Ford v Ferrari
A Hidden Life
The Irishman
Little Women
Marriage Story
Once Upon a Time… in Hollywood
Parasite
Uncut Gems

DIRECTOR:
Sam Mendes – 1917
Martin Scorsese – The Irishman
Quentin Tarantino – Once Upon a Time… in Hollywood
Bong Joon-ho – Parasite
Benny Safide & Josh Safdie – Uncut Gems

ACTOR:
Antonio Banderas, Pain and Glory
Leonardo DiCaprio, Once Upon a Time… in Hollywood
Adam Driver, Marriage Story
Joaquin Phoenix, Joker
Adam Sandler, Uncut Gems

ACTRESS:
Awkwafina, The Farewell
Scarlett Johansson, Marriage Story
Lupita Nyong’o, Us
Saoirse Ronan, Little Women
Renee Zellweger, Judy

SUPPORTING ACTOR:
Willem Dafoe, The Lighthouse
Tom Hanks, A Beautiful Day in the Neighborhood
Al Pacino, The Irishman
Joe Pesci, The Irisman
Brad Pitt, Once Upon a Time… in Hollywood

SUPPORTING ACTRESS:
Kathy Bates, Richard Jewell
Laura Dern, Marriage Story
Jennifer Lopez, Hustlers
Florence Pugh, Little Women
Margot Robbie, Once Upon a Time… in Hollywood
Shuzhen Zhou, The Farewell

ORIGINAL SCREENPLAY;
The Farewell – Lulu Wang
Knives Out – Rian Johnson
Marriage Story – Noah Baumbach
Once Upon a Time… in Hollywood – Quentin Tarantino
Parasite – Bong Joon-ho & Han Jin-won

ADAPTED SCREENPLAY:
Hustlers – Lorene Scafaria
The Irishman – Steven Zaillian
Jojo Rabbit – Taika Waititi
Joker – Scott Silver & Todd Phillips
Little Women – Greta Gerwig

CINEMATOGRAPHY:
1917
Ad Astra
A Hidden Life
The Lighthouse
Once Upon a Time… in Hollywood
Portrait of a Lady on Fire

PRODUCTION DESIGN:
1917
The Lighthouse
Little Women
Once Upon a Time… in Hollywood
Parasite

ORIGINAL SCORE:
1917 – Thomas Newman
Joker – Hildur Guðnadóttir
Little Women – Alexandre Desplat
Parasite – Jung Jae-il
Uncut Gems – Daniel Lopatin
Us – Michael Abels

ORIGINAL SONG:
“Glasgow (No Place Like Home)” from Wild Rose
“A Glass of Soju” from Parasite
“(I’m Gonna) Love Me Again” from Rocketman
“Into the Unknown” from Frozen II
“Stand Up” from Harriet

ENSEMBLE:
The Irishman
Knives Out
Little Women
Once Upon a Time… in Hollywood
Parasite

FOREIGN LANGUAGE FILM:
The Farewell
Long Day’s Journey Into Night
Pain and Glory
Parasite
Portrait of a Lady on Fire

BREAKTHROUGH AWARD:
Ana de Armas
Awkwafina
Julia Fox
Kelvin Harrison Jr.
George McKay
Florence Pugh
Taylor Russell

ANIMATED FILM:
Frozen II
How to Train Your Dragon: The Hidden World
I Lost My Body
Missing Link
Toy Story 4

DOCUMENTARY:
American Factory
Apollo 11
The Biggest Little Farm
Honeyland
Love, Antosha
Midnight Family

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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