Motion Picture Sound Editors (MPSE) Nominations: ‘Deadpool & Wolverine,’ ‘Dune: Part Two,’ ‘The Penguin,’ ‘Ripley’ Lead
Motion Picture Sound Editors (MPSE), the premier organization of entertainment sound editing professionals since 1953, announced today the nominations for the 72nd Annual MPSE Golden Reel Awards, honoring outstanding achievement in sound editing, sound design, music editing and foley artistry in film, television and gaming.
For feature films, Deadpool & Wolverine and Dune: Part Two led with three nominations in the categories of Feature Dialogue/ADR, Feature Effects/Foley and Music Editing. Alien: Romulus, A Complete Unknown, Emilia Pérez and Wicked grabbed two nominations each.
In television, The Penguin and Ripley are out in front with three apiece while The Bear, Baby Reindeer, Masters of the Air and The Lord of the Rings: Rings of Power were among the shows with two mentions.
As previously announced, two honorary awards will also be presented at the gala: Kevin Costner will receive the Filmmaker Award and supervising sound editor Greg Hedgepath, MPSE will receive the Career Achievement Award.
Winners will be announced at the annual gala on February 23, 2025 at the Wilshire Ebell Theatre in Los Angeles. Here is the full list of nominations.
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Alien: Romulus / 20th Century Studios
- Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
- Sound Editor: Matt “Smokey” Cloud MPSE
- Supervising Dialogue Editor: Polly McKinnon
- Dialogue Editors: David Butler, Ryan Cole MPSE, Jacob Riehle, Ailene Roberts MPSE
A Complete Unknown / Searchlight Pictures
- Supervising Sound Editor: Donald Sylvester
- Dialogue Editors: Russell Farmarco MPSE, Anna MacKenzie, Robert Troy
Deadpool & Wolverine / Marvel Studios
- Supervising Sound Editor: Craig Henighan MPSE
- Dialogue Editor: Emma Present
Dune: Part Two / Warner Bros. Pictures
- Supervising Dialogue Editor: Martin Kwok
- Dialogue Editors: Ray Beentjes, Polly McKinnon, Stefanie Ng
- ADR Editor: David Bach
- Crowd Editors: Alexis Feodoroff, Justin Webster
Saturday Night / Columbia Pictures
- Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE
- Dialogue Editors: Helen Lutrell, Emma Present
Wicked / Universal Pictures
- Supervising Sound Editors: John Marquis, Nancy Nugent Title
- Supervising Dialogue Editor: John C. Stuver
- Dialogue Editor: David Bach
Outstanding Achievement in Sound Editing – Feature Effects / Foley
Alien: Romulus / 20th Century Studios
- Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
- Sound Designer: Chris Terhune
- Sound Effects Editors: Luis Galdames MPSE, Dan Kenyon, Ken McGill MPSE, James Miller, Matt “Smokey” Cloud MPSE, Steve Neal MPSE
- Foley Editors: Samuel Munoz, Lyndsey Schenk MPSE
- Foley Artists: Jacob McNaughton, Noel Vought
Deadpool & Wolverine
- Supervising Sound Editors: Ryan Cole MPSE, Craig Henighan MPSE
- Sound Designers: Samson Neslund, Eric A. Norris MPSE, Addison Teague
- Sound Effects Editors: Lee Gilmore MPSE, J.R. Grubbs
- Foley Editors: Pete Persaud, Gina Wark
- Foley Artist: Steve Baine
Dune: Part Two / Warner Bros. Pictures
- Supervising Sound Editor: Richard King
- Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres
- Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune
- Supervising Foley Editor: Chris Flick
- Foley Editor: Willard Overstreet
- Foley Artists: John Cucci, Dan O’Connell
Furiosa: A Mad Max Saga / Warner Bros. Pictures
- Supervising Sound Editor: Robert Mackenzie
- Sound Effects Editors: Tom Heuzenroeder, Tara Webb
- Foley Editors: Duncan Campbell, Adrian Medhurst MPSE
Nosferatu / Focus Features
- Supervising Sound Editor: Damian Volpe MPSE
- Sound Designers: Michael Fentum, Damian Volpe MPSE
- Sound Effects Editors: Samir Foco, Mariusz Glabinski MPSE
- Foley Supervisor: Heikki Kossi MPSE
- Foley Editor: Joel Raabe MPSE
September 5 / Paramount Pictures
- Supervising Sound Editor: Frank Kruse
- Sound Designer: Frank Kruse
- Foley Supervisor: Uwe Zillner
- Foley Editors: Johanna Rellinghaus, Benedikt Uebe
- Foley Artist: Uwe Zillner
Outstanding Achievement in Music Editing – Feature Motion Picture
Better Man / Paramount Pictures
- Supervising Music Editor: Timothy Ryan
- Music Editors: Craig Beckett, Lena Glikson, Cory Milano, Liam Moses, Joe E. Rand, Chris Scallan, Emily Rogers Swanson
- Vocal Editors: Noah Hubbell, Anna Muehlichen
A Complete Unknown / Searchlight Pictures
- Supervising Music Editor: Ted Caplan
- Music Editor: Maggie Talibart
Deadpool & Wolverine / Marvel Studios
- Music Editors: Daniel DiPrima, Oliver Hug
- Scoring Editor: Anele Onyekwere
Dune: Part Two / Warner Bros. Pictures
- Supervising Music Editors: Clint Bennett, Ryan Rubin
- Music Editor: Joe E. Rand
Emilia Pérez / Netflix
- Lead Music Editor: Maxence Dussère
- Music Editors: Cécile Coutelier, Matthieu Lefèvre, Aristide Rosier
Wicked / Universal Pictures
- Supervising Music Editor: Jack Dolman & Catherine Wilson
- Supervising Vocal Editor: Robin Baynton
Outstanding Achievement in Sound Editing –Feature International
Emilia Pérez / Netflix
- Supervising Sound Editor: Aymeric Devoldère
- Sound Designer: Cyril Holtz
- Supervising Dialogue Editor: Hortense Bailly
- Supervising ADR Editor: Carolina Santana
- Foley Editor: Antoine Swertvaegher
- Foley Artist: Gregory Vincent
The Girl with the Needle / Mubi
- Supervising Sound Editors: Morten Pilegaard, Oskar Skriver
- Sound Effects Editor: Christian Roed Dalsgaard
- Foley Editor: Patrick Ghislain
- Foley Artist: Julien Naudin
The Goat Life / Netflix
- Supervising Sound Editors: Vijaykumar Mahadevaiah MPSE, Resul Pookutty MPSE
- Sound Effects Editor: Arun Rana
- Foley Editor: Vijaykumar Mahadevaiah MPSE
- Foley Artists: Andriy Ryzhov, Ruslan Shebistyi, Andriy Starikovskiy, Bogdan Zavarzin
Kneecap / Sony Pictures Classics
- Supervising Sound Editor: Brendan Rehill
- Supervising Dialogue Editor: Louise Burton MPSE
- Foley Editor: Damien Lynch
- Foley Artists: Caoimhe Doyle, Emer O’Reilly
Outstanding Achievement in Sound Editing – Feature Animation
Inside Out 2 / Pixar
- Supervising Sound Editor: Coya Elliott
- Sound Designer: Ren Klyce
- Sound Effects Editors: David C. Hughes, Jonathon Stevens
- Supervising Dialogue Editor: Cheryl Nardi
- Supervising Foley Editor: Dee Selby
- Foley Editor: Nicholas Docter
- Foley Artists: Heikki Kossi MPSE, Shelley Roden MPSE
The Lord of the Rings: The War of the Rohirrim / Warner Bros. Animation
- Supervising Sound Editors: Brent Burge, Martin Kwok, Matt Stutter MPSE
- Sound Designer: David Farmer MPSE
- Sound Effects Editor: Hayden Collow, Alexis Feodoroff
- Dialogue Editor: Dmitry Novikov MPSE
- Foley Editors: Michael Donaldson, Craig Tomlinson
- Foley Artist: Simon Riley
Mufasa: The Lion King / Walt Disney Pictures
- Supervising Sound Editor: Onnalee Blank MPSE
- Sound Designers: Harry Cohen MPSE, Paula Fairfield MPSE, Luke Gibleon MPSE, Jason W. Jennings MPSE
- Sound Effects Editors: Benjamin L. Cook MPSE, Katie Halliday MPSE, Ando Johnson,
- Michael Mitchell, Jessie Pariseau, Roland N. Thai MPSE
- Supervising ADR Editor: Vanessa Lapato
- Supervising Dialogue Editor: Katy Wood
- Foley Editor: Pietu Kornhonen
- Foley Artists: John Cucci MPSE, Gary Hecker MPSE, Mike Horton, Heikki Kossi MPSE, Dan O’Connell
The Wild Robot / Universal Pictures
- Supervising Sound Editors: Brian Chumney, Leff Lefferts
- Sound Designer: Randy Thom MPSE
- Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE
- Dialogue Editor: Rich Quinn
- Foley Editors: Malcolm Fife, Dee Selby
- Foley Artists: Ronni Brown, Jana Vance
Outstanding Achievement in Sound Editing – Feature Documentary
The Blue Angels / Amazon Prime
- Supervising Sound Editor: Robert Stambler MPSE
- Sound Effects Editor: Ryan “Sully” Sullivan
- Dialogue Editor: Emma Present
Dahomey / Mubi
- Supervising Sound Editor: Nicolas Becker
- Sound Designer: Nicolas Becker
- Sound Editor: Sylvain Malbrant
- Dialogue Editor: Maxime Saleix
- Foley Artist: Gilles Marsalet
Elton John: Never Too Late / Disney+
- Supervising Sound Editors: Rob Getty MPSE, Richard Yawn MPSE
- Sound Editor: Mike Pipgras
Music by John Williams / Disney+
- Supervising Sound Editors: Christopher Barnett MPSE, Roy Waldspurger
- Sound Effects Editor: Tim Farrell
- Dialogue Editor: Dmitri Makarov
- Music Editor: Ramiro Belgardt
Super/Man: The Christopher Reeve Story / HBO Max
- Supervising Sound Editor: Greg Gettens
- Sound Designer: Will Chapman
- Supervising Dialogue Editor: Claire Ellis
- Foley Editor: Olly Freemantle
- Foley Artist: Zoe Freed
Will & Harper / Netflix
- Supervising Sound Editor: Zach Seivers MPSE
- Sound Effects Editor: George Pereyra, Adam Parrish King
- Dialogue Editor: Jared K. Neal
Outstanding Achievement in Music Editing – Documentary
Beatles ’64 / Disney+
- Music Editor: John M. Davis
Elton John: Never Too Late / Disney+
- Music Editor: Michael Brake MPSE
The Greatest Night in Pop / Netflix
- Music Editor: Gavin Allingham
Jim Henson Idea Man / Disney+
- Supervising Music Editor: Ryan Rubin
Music by John Williams / Disney+
- Supervising Music Editor: Ramiro Belgardt
- Music Editors: Christopher Barnett MPSE, Roy Waldspurger
Outstanding Achievement in Sound Editing – Non-theatrical Feature
Atlas / Netflix
- Supervising Sound Editor: Per Hallberg MPSE
- Supervising Sound Designer: Ann Scibelli
- Sound Effects Editors: Eric A. Norris MPSE, Stephen P. Robinson MPSE, Jonathan Title MPSE
- Supervising ADR Editor: Daniel Irwin
- Dialogue Editors: Laura Harris Atkinson, Taylor Jackson, John Stuver
- Supervising Foley Editor: Willard J. Overstreet
- Supervising Foley Artist: Gary Hecker MPSE
- Foley Artist: Michael Horton
Beverly Hills Cop: Axel F / Netflix
- Supervising Sound Editor: Chris Diebold
- Sound Designers: Chris Diebold, Randy Torres
- Sound Effects Editor: Phil Barrie
- Supervising Dialogue Editor: Susan Dawes
- Dialogue Editor: Jim Brookshire
- Supervising ADR Editor: Sean Massey MPSE
- Foley Editors: Chelsea Body, Jenna Dalla Riva, Kevin Jung, Colton Maddigan
- Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama
The Killer / Netflix
- Supervising Sound Editor: Mark Stoeckinger
- Sound Designers: Gael Nicolas, Alan Rankin
Música / Amazon Prime
- Supervising Sound Editor: Christopher Aud
- Sound Effects Editor: Mitch Osias
- Supervising ADR Editor: Eliza Pollack-Chalfant Zebert
- Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana, Nancy Parker MPSE
Rebel Moon – Part Two: The Scargiver / Netflix
- Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE
- Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE
- Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol
- Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE
- Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson
- Supervising Foley Editor: Mark Pappas
- Supervising Foley Artist: Gary Hecker MPSE
- Foley Artists: Michael Broomberg, Mike Horton
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
Apollo 13: Survival / Netflix
- Supervising Sound Editor: Paul Darling
- Sound Editor: Greg Gettens
- Foley Editor: Olly Freemantle
- Foley Artist: Rebecca Heathcote
The Beach Boys / Disney+
- Supervising Sound Editor: Jonathan Greber
- Sound Effects Editor: David Chrastka
Fly / National Geographic
- Supervising Sound Editor: Eli Cohn
- Sound Effects Editor: Jack Sasner
- Dialogue Editor: Ben Chesneau
Formula 1: Drive to Survive: “Forza Ferrari” / Netflix
- Supervising Sound Editors: Nick Fry, Steve Speed
- Sound Supervisors: Doug Dreger, Adam King
- Sound Designers: Tom Maclellan, James Spooner
Jim Henson Idea Man / Disney+
- Supervising Sound Editors: Daniel Timmons, Tony Volante
- Sound Designer: Jeremy S. Bloom
- Sound Editor: Kelly Rodriguez
- Dialogue Editor: Ian Cymore
Steve! (Martin) A Documentary in 2 Pieces / Apple TV+
- Supervising Sound Editor: Bob Edwards
- Sound Designer: Pete Horner
- Sound Effects Editors: Kim B. Christensen, Joel Raabe MPSE
Outstanding Achievement in Sound Editing – Non-Theatrical Animation
Arcane: “The Dirt Under Your Nails” / Netflix
- Supervising Sound Editors: Brad Beaumont MPSE, Eliot Connors MPSE
- Sound Effects Editor: Stephen P. Robinson MPSE
- Supervising Music Editor: Alexander Temple
- Music Editors: Andrew Kierszenbaum, Sebastien Najand, Alex Seaver
- Foley Editor: PJ Pascual
- Foley Artists: John Cucci, Dan O’Connell
Invincible: “I Thought You Were Stronger” / Amazon Prime
- Supervising Sound Editor: Brad Meyer MPSE
- Sound Effects Editors: Katie Jackson MPSE, Mia Perfetti MPSE, Natalia Saavedra Brychcy MPSE
- Dialogue Editor: Logan Romjue MPSE
- Foley Editor: Carol Ma MPSE
Justice League: “Crisis on Infinite Earths – Part Three” / Warner Bros. Animation
- Supervising Sound Editor: Robert Hargreaves MPSE
- Sound Designer: Robert Hargreaves MPSE
- Supervising Dialogue Editor: Mark Keatts
- Dialogue Editors: Patrick J. Foley, Michael Garcia MPSE
- ADR Editor: Kelly Foley Downs
Orion and the Dark / Netflix
- Supervising Sound Editors: D.J. Lynch, Rob McIntyre MPSE
- Sound Designers: Jessey Drake MPSE, Jeff Halbert, Marc Schmidt
- Sound Effects Editors: Evan Dockter, Cat Gensler, Grace Stensland
- Dialogue Editor: Jason Oliver
- Foley Editor: Roberto D. Alegria
- Foley Artists: Vincent Deng, Laura Macias
Watchmen: Chapter 1 / Studio Mir
- Supervising Sound Editors: Devon Bowman, George Peters
- Sound Designer: Paul Menichini
- Supervising Dialogue Editor: Mark A. Keatts
- Dialogue Editors: David M. Cowan, Kelly Foley Downs, Michael Garcia MPSE
- Foley Editor: Jordan McClain Foley Artists: Sanaa Kelley MPSE, Matt Salib
Outstanding Achievement in Sound Editing – Broadcast Animation
Jurassic World: Chaos Theory: “Into The Fog” / Netflix
- Supervising Sound Editors: D.J. Lynch, Rob McIntyre MPSE
- Sound Designers: Adam Cioffi, Jeff Halbert
- Sound Effects Editor: Marc Schmidt MPSE
- Dialogue Editor: Anna Adams
- Foley Editor: Erika Koski
- Foley Artists: Iris Dutour, Sanaa Kelley MPSE
LEGO Star Wars: Rebuild The Galaxy: Part Two / Disney+
- Supervising Sound Editor: Jeff King
- Supervising Foley Editor: Frank Rinella
- Foley Editor: Shaun Farley MPSE
- Foley Artist: Margie O’Malley
Secret Level: “Warhammer 40,000: They Shall Know No Fear” / Amazon Prime
- Supervising Sound Editors: Brad North MPSE, Matt Yocum MPSE
- Sound Designers: Joseph Fraioli, Nolan McNaughton MPSE, Ryan Sullivan
- Sound Effects Editors: Chris Battaglia MPSE, Harry Cohen MPSE
- Foley Editors: Matt Manselle, Matt Telsey
- Foley Artist: Brian Straub
Star Trek Prodigy: “The Devourer of All Things, Part II” / Netflix
- Supervising Sound Editor: Otis Van Osten
- Supervising Foley Editor: Aran Tanchum
- Sound Designer: Matt Klimek MPSE
- Dialogue Editor: Michael Wessner MPSE
- Foley Artist: Vincent Guisetti
Transformers: Earthspark: “Judgment Day: Part 2” / Nickelodeon
- Supervising Sound Editor: Brad Meyer MPSE
- Sound Effects Editors: Natalia Saavedra Brychcy MPSE, Mia Perfetti MPSE
- Dialogue Editor: Christine Gamache
- Foley Editor: Carol Ma MPSE
X-Men ’97: “Fire Made Flesh” / Disney+
- Supervising Sound Editor: Jonathan Greber
- Sound Designer: Kyrsten Mate MPSE
- Sound Effects Editors: Jonathon Stevens, David Acord, Cameron Barker
- Supervising Foley Editor: Jeremy Molod
Outstanding Achievement in Sound Editing – Broadcast Long Form Dialogue / ADR
Lioness: “Beware the Old Soldier” / Paramount+
- Supervising Sound Editor: Danika Wikke MPSE
- Dialogue Editor: Thomas Boykin
- Music Editor: Ben Zales
Masters of the Air: Part Nine / Apple TV+
- Supervising Sound Editors: Jack Whittaker, Michael Minkler
- Supervising Dialogue/ADR Editor: Dave McMoyler
- Supervising ADR Editor: Michele Perrone
- Dialogue Editor: Michael Hertlein
- ADR Editors: Jim Brookshire MPSE, Bryan Parker MPSE
The Penguin: “Cent’Anni” / HBO MAX
- Supervising Sound Editors: Rich Bologna, Lawrence Zipf
- Supervising ADR Editor: Angela Organ
- ADR Editor: Tony Martinez
- Dialogue Editor: Michael McMenomy
Ripley: “V LUCIO” / Netflix
- Supervising Sound Editors: Michael Feuser, Lawrence Zipf
- Sound Designer: Lawrence Zipf
- Supervising ADR Editor: Lidia Tamplenizza
- Dialogue Editor: Michael McMenomy
Shōgun: “Ladies of the Willow World” / FX
- Supervising Sound Editor: Brian J. Armstrong MPSE
- Sound Editor: Damon Cohoon
- Dialogue Editor: John Creed MPSE
- ADR Editor: Ayako Yamauchi MPSE
Slow Horses: “Hello Goodbye” / Apple TV+
- Supervising Sound Editor: Joe Beal
- ADR Editor: Sophie Mapplebeck
- Dialogue Editors: Duncan Price, Abbie Shaw
Outstanding Achievement in Sound Editing – Broadcast Long Form Effects / Foley
House of the Dragon: “The Red Dragon and the Gold” / HBO MAX
- Supervising Sound Editor: Alastair Sirkett MPSE
- Sound Designer: Paula Fairfield MPSE
- Sound Effects Editors: Martin Cantwell, Ruth Knight
- Foley Editor: Mathias Schuster
- Foley Artists: Rebecca Glover, Barnaby Smyth
The Lord of the Rings: The Rings of Power: “Doomed to Die” / Amazon Prime
- Supervising Sound Editors: Ben Barker, Glenn Freemantle MPSE
- Supervising Dialogue Editor: Emilie O’Connor
- Foley Editor: Paolo Pavesi
- Foley Artists: Zoe Freed, Rebecca Heathcote
Masters of the Air: Part Five / Apple TV+
- Supervising Sound Editors: Michael Minkler, Jack Whittaker MPSE
- Sound Designers: Luke Gibleon MPSE, Jeff Sawyer
- Sound Effects Editors: Zach Goheen MPSE, Paul B. Knox, Adam Kopald
- Foley Artists: Dylan Tuomy-Wilhoit MPSE, Jeffrey Wilhoit MPSE
The Penguin: “After Hours” / HBO MAX
- Supervising Sound Editors: Rich Bologna, Lawrence Zipf
- Sound Effects Editors: Diego Perez MPSE, Wyatt Sprague
- Supervising Foley Editor: Matt Haasch
- Foley Artist: Gareth Rhys Jones
Ripley: “III Sommerso” / Netflix
- Supervising Sound Editors: Michael Feuser, Lawrence Zipf
- Sound Designers: Bill R. Dean MPSE, Angelo Palazzo MPSE, Lawrence Zipf
- Foley Editor: Igor Nikolic
- Sound Effects Editors: David Forshee MPSE, Wyatt Sprague
- Supervising Foley Editor: Matt Haasch
- Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama, Andy Malcolm, Jay Peck
Shōgun: “Broken to the Fist” / FX
- Supervising Sound Editor: Brian J. Armstrong MPSE
- Sound Designers: Benjamin L. Cook MPSE, James Gallivan
- Sound Effects Editor: Mark Hailstone
- Foley Editor: Ken Cain MPSE
- Foley Artists: Sanaa Kelley MPSE, Matt Salib
Outstanding Achievement in Sound Editing – Broadcast Short Form
Baby Reindeer: Episode 7 / Netflix
- Supervising Sound Editor: Matt Skelding MPSE
- Sound Designer: Tom Jenkins
- Dialogue Editor: Milos Stojanovic MPSE
- Foley Editor: Mathias Schuster
- Foley Artist: Barnaby Smyth
The Bear: “Doors” / FX
- Supervising Sound Editor: Steve “Major” Giammaria MPSE
- Sound Effects Editors: Jonathan Fuhrer, Matt Snedecor, Craig LoGiudice
- ADR Editor: John Bowen
- Dialogue Editor: Evan Benjamin
- Foley Editor: Annie Taylor MPSE
- Foley Artists: Leslie Bloome MPSE, Shaun Brennan
Earthsounds: “Australian Forests” / Apple TV+
- Supervising Sound Editor: Kate Hopkins
- Sound Effect Editor: Tom Mercer
- Foley Editor: Ellie Bowler
- Foley Artist: Rory Joseph
Only Murders in the Building: “Blow Up” / Hulu
- Supervising Sound Editor: Mathew Waters, Danika Wikke MPSE
- Sound Effects Editor: Meredith Stacy
- Dialogue Editor: Christopher Gomez MPSE
- Foley Editor: Erika Koski
- Foley Artists: Iris Dutour, Sanaa Kelley MPSE
What We Do in the Shadows: “Come Out and Play” / FX
- Supervising Sound Editor: Steffan Falesitch
- Sound Effects Editor: David Barbee MPSE
- ADR Editor: Mark Relyea MPSE
- Dialogue Editor: Paul Bercovitch
- Supervising Foley Editor: Sam C. Lewis MPSE
- Foley Editor: Lyndsey Schenk MPSE
- Foley Artists: Adam DeCoster, Alex Ullrich MPSE
Outstanding Achievement in Music Editing – Broadcast Long Form
Fallout: “The End” / Amazon Prime
- Music Editors: Clint Bennet, Christopher Kaller
The Lord of the Rings: The Rings of Power: “Doomed to Die” / Amazon Prime
- Music Editor: Jason Smith MPSE
The Penguin: “Cent’Anni” / HBO Max
- Supervising Music Editor: Ben Holiday
- Music Editors: Chad Birmingham, Luke Dennis
Ripley: “VIII NARCISSUS” / Netflix
- Music Editors: Dan Evans Farkas, Ben Schor
Salem’s Lot / HBO Max
- Supervising Music Editor: Andrew Silver MPSE
- Music Editor: John Carbonara
Slow Horses: “Returns” / Apple TV+
- Music Editor: Ben Smithers
Outstanding Achievement in Music Editing – Broadcast Short Form
Baby Reindeer: Episode 1 / Netflix
- Music Editor: Jack Sugden
The Bear: “Doors” / FX
- Music Editors: Jason Lingle, Jeff Lingle
Only Murders in the Building: “My Best Friend’s Wedding” / Hulu
- Music Editor: Michah Liberman
Shrinking: “Last Drink” / Apple TV+
- Music Editor: Richard Brown MPSE
We Are Lady Parts: “The Reason” / Peacock
- Music Editor: Andy Patterson MPSE
Outstanding Achievement in Sound Editing – Game Dialogue / ADR
Batman: Arkham Shadow
- Supervising Dialogue Editor: Mark Camperell MPSE
- Dialogue Editors: Charlie Gondak, Daniel Khim MPSE, Austin Krier MPSE, Matthew Kulewicz MPSE, Amanda McDonnell, Ryan Ongaro, Kerri Shak
Call of Duty: Black Ops 6
- Audio Lead: Jacob Harley, Jeremiah Sypult, Brian Tuey
- Audio Directors: Ian Mika
- Supervising Sound Editor: Charles Deenen
- Supervising Dialogue Editor: Robert Jackson
- Senior Audio Artist: Ryan Garigliano
- Dialogue Editors: Jessica Arkoff, Socrates Ayala, Kelli Baffoni, Tom Boyd, Roman Fusco, Cesar Marenco MPSE, Kevin Patel, Brandon Roos, Ruge Sun, Dani Turner, Rob Weiss, Maggie Wolf
- Audio Artists: Justin Moreh, Darrell Tung
Final Fantasy VII: Rebirth
- Audio Director: Rita Kedineoglu
- Supervising Dialogue Editor: Martín Gutiérrez MPSE
- Dialogue Editors: Alex Baghdassarian MPSE, Bryan Borders, Garrett Hernandez
Star Wars Outlaws
- Lead Voice Designer: Charles Pateman
- Voice Designers: Alain Abbyad, Antoine Deseille, Oskar Hansson, Marla Kishimoto, Hanna Witulska
Until Dawn
- Supervising Dialogue Editor: Nick Gratwick
- Senior Dialogue Designer: Paola Velasquez
- Dialogue Designer: Andrea Contino
- Dialogue Editor: Damian O’Sullivan
Outstanding Achievement in Music Editing – Game Music
Call of Duty: Black Ops 6
- Audio Directors: Alex Hemlock, Jeremiah Sypult, Brian Tuey
- Supervising Sound Editor: Charles Deenen
- Music Editors: Brian DiDomenico, Jim Lordeman
Diablo IV: Vessel of Hatred
- Audio Director: Kris Giampa
- Music Director: Derek Duke
- Supervising Music Editor: Ted Reedy
- Senior Music Editor: Adam Burgess
Dragon Age: The Veilguard
- Audio Director: Cody Behiel
- Supervising Music Editor: Ron Dazo
- Music Editors: Steven Silvers, Morgan Fryer-McCulloch, Ben YJ Hung, Lauren Kott
Helldivers 2
- Music Director: Keith Leary
- Supervising Music Editor: Scott Shoemaker
- Music Editors: Sonia Coronado, Collin Lewis
Star Wars Outlaws
- Audio Director: Simon Koudriavtsev
- Senior Music Designer: Erik Jacobsson
- Music Supervisor: Manu Bachet
Outstanding Achievement in Sound Editing – Game Effects / Foley
Batman: Arkham Shadow
- Technical Sound Designer: Haroon Piracha
- Sound Design Lead: Jon Ruse
- Sound Designers: Tyler Hayden, Kyle Lammerding
- Senior Audio Designer: Ryan David Kull
- Lead Audio Designer: Julian Korzeniowsky
- Audio Programmer: Alex Stopher
- Audio Designers: Lee Banyard, Scott Gilmore, Ryan McSweeney, Travis Naas, Stefan Rutherford, Matthew Wright
Call of Duty: Black Ops 6
- Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
- Supervising Sound Editor: Charles Deenen
- Lead Sound Designers: Collin Ayers, Jai Berger, Darren Blondin, John Drelick, Nick Martin, Kevin Sherwood
- Sound Designers: Mark Camperell MPSE, Nick D’Amato, Tom David, James Evans, Daniel P. Francis MPSE, Luis Galdames MPSE, Nick Interlandi, Austin Krier MPSE, Jim Lecroy, James Miller, Garrett Montgomery MPSE, Josh Moore, Michael Newton, Dominik Ragančík, Jordan Ruhala, Matthew Schaff MPSE, Nick Spradlin, Darrell Tung, Bryan O. Watkins
- Technical Sound Designers: Sunglae Park, William Wise III
- Expert Sound Designers: Andy Bayless, Cameron Britton, Scott Eckert
- Associate Lead Sound Designer: Jacob Harley
- Sound Effects Editors: Landen Belardes, Cadmus Blackwood, Tyler Windsor
- Senior Audio Artist: Corina Bello, Logan Byers, Ryan Garigliano, Jasmine Jia, James McCawley, Vadim Nuniyants, Tim Schlie, Lee Staples
- Junior Audio Artists: Tommy Lee, Justin Moreh
- Foley Editor: Rustam Himadiiev
- Foley Artist: Bogdan Zavarzin
- Audio Directors: Adam Boyd MPSE, Trevor Bresaw, Ian Mika, Jeremiah Sypult, Brian Tuey
Helldivers 2
- Sound Designer: Olliver Andersson
- Senior Technical Sound Design Supervisor: Simon Gumbleton
- Senior Sound Designer: Harvey Scott, Juuson Tolonen
- Senior Foley Artist: Joanna Fang MPSE
- Senior Audio Artist: Kristian Johannson
LEGO Horizon Adventures
- Senior Audio Programmer: Simon Haines
- Supervising Sound Designers: Byron Bullock, Peter Hanson, David Philip
- Lead Sound Designer: Mark Hill
- Senior Audio Designer: Pablo Valverde Brañas
- Technical Sound Designer: Lucas Falcao
- Senior Sound Designers: Safar Bake, Danny Hey, Bryan Higa, Matteo Lupieri, Ash Read, Pete Reed, Harvey Scott
- Sound Designers: Harry Boyce, Edward Ducan, Rose Evans, Lorenzo Piani, Ben Pickersgill
- Foley Editors: Austin Creek, Nick Seaman
- Senior Foley Artist: Joanna Fang MPSE
Star Wars Outlaws
- Audio Director: Simon Koudriavtsev
- Lead Audio Designer: Jacob Coles
- Senior Sound Designers: Joel Green, Adam Oakley, Simon Siegfried Klar
- Expert Audio Designer: Martin Weissberg
- Audio Artist: David Kristian
Outstanding Achievement in Sound Editing – Student Film (Verna Fields Award)
At the Riverbank / Chapman University
- Supervising Sound Editor: Adam Jamal
Brigham Young University: Student Accomplice / Brigham Young University
- Supervising Sound Editor: Chance Anderson
Bubble Boy / National Film and Television School
- Supervising Sound Editor: Alina Ushakova
Intermission / National Film & Television School
- Supervising Sound Editor: Joseph Russell
Last Remembrances / University of Southern California
- Supervising Sound Editors: Sean Foster, Borna Moinpour
The Memories of Autumn / Beijing Film Academy
- Supervising Sound Editor: Xiaotong Fu, Ruijia Sun
Songbirds / Savannah College of Art and Design
- Supervising Sound Editor: Eugenio Mirafuentes
Wrestle-Off / University of Southern California
- Supervising Sound Editor: Arden Sarner
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
2024 Houston Film Critics Society (HFCS) Nominations 
56th NAACP Image Awards Nominations: ‘The Piano Lesson’ Leads with 14 
‘Severance’ Season 2 Review: It’s Time to Clock Back with the Innies and Outies of Lumon [A] 
Cinema Audio Society (CAS) Nominations: ‘Deadpool & Wolverine,’ ‘A Complete Unknown,’ ‘Gladiator II’ and More