Motion Picture Sound Editors Winners: Birdman, American Sniper, Unbroken

Erik Anderson February 15, 2015

The winners of the 62nd annual Golden Reels, the Motion Picture Sound Editors (MPSE) awards, honored the year’s best work in the various areas of sound editing: Dialogue & ADR, Effects & Foley, and Music. Last year’s winners in the two major categories, Dialogue & ADR and Effects and Foley, went to Captain Phillips and Gravity, respectively. This year, Unbroken and American Sniper took those and are both also Oscar nominated in the Sound Editing category (along with Music winner, Birdman). On the television side, Game of Thrones, The Newsroom, Almost Human and Fargo took home trophies.

Full list of winners:

FEATURE FILM

Best Sound Editing in Feature Film: Music
BIRDMAN

Best Sound Editing in Feature Film: Music (Musical Feature)
GET ON UP

Best Sound Editing in Feature Film: Dialogue/ADR
UNBROKEN

Best Sound Editing in Feature Film: FX/Foley
AMERICAN SNIPER

TELEVISION, SHORT FORM

Best Sound Editing in Television, Short Form: Music (TIE)
ALMOST HUMAN
and
FARGO

Best Sound Editing in Television, Short Form: Dialogue/ADR
THE NEWSROOM, “Oh Shenandoah”

Best Sound Editing in Television, Short Form: FX/Foley
GAME OF THRONES, “The Children”

TELEVISION, LONG FORM

Best Sound Editing in Television, Long Form: Dialogue/ADR
KLONDIKE, “Episode 1″

Best Sound Editing in Television, Long Form: FX/Foley
HOUDINI, “Night 1”

TV/FEATURE ANIMATION AND DOCUMENTARY

Best Sound and Music Editing: Television Animation
STAR WARS: REBELS, “Gathering Forces”

Best Sound and Music Editing: Television Documentary, Short Form
AX MEN, “Ax Marks the Spot”

Best Sound and Music Editing: Television Documentary, Long Form
FOO FIGHTERS SONIC HIGHWAYS, “Seattle”

Best Sound and Music Editing: Feature Animation
BIG HERO 6

Best Sound and Music Editing: Feature Documentaries
WARSAW UPRISING

COMPUTER/DIRECT-TO-VIDEO/FOREIGN FEATURE

Best Sound and Music Editing: Computer Episodic Entertainment (Webisode)
HALO NIGHTFALL

Best Sound and Music Editing: Game Cinematics
LEAGUE OF LEGENDS: A NEW DAWN

Best Sound and Music Editing: Direct-to-Video, Animation
STAR WARS : THE CLONE WARS, “Sacrifice”

Best Sound and Music Editing: Direct-to-Video, Live Action
STONEHEARST ASYLUM

Best Sound and Music Editing: Feature Film, Foreign Language
THE LIBERATOR

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMS
SEA ODYSSEY
Savannah College of Art and Design

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.