National Society of Film Critics: Inside Llewyn Davis Sweeps

After a rough few weeks of also-rans, runners-up and flat out snubs, the Coen Brothers’ ode to 60s folk music not only won Best Picture with the National Society of Film Critics it swept. Picking up Best Picture, Director, Actor and Cinematography, it led in total wins. ILD’s win here, with the last major critics group, was a small ding in 12 Years a Slave’s armor. The critical favorite has not fared well with the top-tier critics awards (LA, NY) but quite well with the second-tier groups like Boston, Chicago, Dallas-Fort Worth and Las Vegas. Its performance with the guilds and Globes though show it’s still a solid contender.

Cate Blanchett continued her winning streak here, and Jennifer Lawrence picked up another victory. The battle between James Franco and Jared Leto heated up with the NSFC liking Franco’s shiiiiit.

A breakdown of the voting rounds, via Indiewire, went as follows:

Best Picture: Inside Llewyn Davis (second ballot)
12 Years a Slave led the initial vote, but did not appear on a majority of ballots; the three-way tie for second — between American Hustle, Gravity and Her — showed the lack of consensus.

Dropping out proxies turned the vote over to the 17 members present, at which point Inside Llewyn Davis surged from a distant fifth into first place.

Best Director: Joel and Ethan Coen, Inside Llewyn Davis (second ballot)
Alfonso Cuaron had the points but not the ballots in the first round, with Steve McQueen in second and Spike Jonze and the Coen brothers tied for third. But in the room, the Coens ruled again, topping Cuaron in second and McQueen in third.

Best Actor: Oscar Isaac, Inside Llewyn Davis (second ballot)
Isaac was tied for fourth after the first ballot, trailing Chewitel Ejiofor, Matthew McConaughey and Robert Redford. But he surged into first on the second ballot, with 28 points to Ejiofor’s second-place 19.

Best Actress: Cate Blanchett, Blue Jasmine
Although just narrowly on a sufficient number of ballots, Blanchett’s passion index was high enough to give her a commanding first-round victory, with 57 points over Adele Exarchopoulos (36) and Julie Delpy (26).

Best Supporting Actor: James Franco, Spring Breakers (second ballot)
Jared Leto led the first vote, with 47 points to Franco’s 36, but did not appear on a majority of ballots. In the second round, the positions were switched, with Franco prevailing 24 to 20. A motion was made to honor Franco for both Spring Breakers and This Is the End, but voted down in favor of a stronger pro-Alien statement.

Best Supporting Actress: Jennifer Lawrence, American Hustle
An easy first-ballot victory, with Lupita Nyong’o in second and Lea Seydoux and Sally Hawkins tied for third.

Best Screenplay: Richard Linklater, Julie Delpy and Ethan Hawke, Before Midnight (second ballot)
The only time a first-ballot lead held for a second, with Before Midnight holding onto a slight lead over Inside Llewyn Davis.

Best Cinematography: Bruno Delbonnel, Inside Llewyn Davis (second ballot)
Gravity had a large lead in the first vote but fell one ballot short of a plurality. Once again, positions flip-flopped on the second ballot, with Llewyn Davis gaining a slight lead.

Best Foreign Film: Blue Is the Warmest Color (second ballot)
Paolo Sorrentino’s The Great Beauty had a narrow lead over Blue Is the Warmest Color in the first round, with A Touch of Sin in third, but none had enough ballots. Second-round balloting scrambled the order, with Blue coming in first, A Touch of Sin second and The Great Beauty third.

Best Documentary: The Act of Killing/At Berkeley (tie) (second ballot)
Sarah Polley’s Stories We Tell led the first ballot, followed by The Act of Killing, Leviathan and At Berkeley.

Best Experimental Film: Leviathan

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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