NEON snaps up ‘Flee’ after Sundance premiere
NEON had made the first acquisition out of this year’s Sundance, with North American rights to Jonas Poher Rasmussen’s Flee.
In an overnight bidding war on the opening night of the Sundance Film Festival the film sold for an undisclosed 7 figure sum. Jeff Deutchman negotiated the deal for NEON with 30WEST and Philippa Kowarsky of Cinephil on behalf of the filmmakers. International sales are being handled by Cinephil.
The film, executive produced by Riz Ahmed and Nikolaj Coster-Waldau, was officially selected for Cannes 2020 and made its debut on opening night of Sundance in the World Documentary Competition to rave reviews and critical acclaim for both its intimate story and unique approach. Rasmussen’s feature film debut Searching for Bill, a mix of documentary and fiction, won him the Nordic Dox award at CPH:DOX, and the international competition prize at DocAviv.
Flee, a film unbound by documentary constraints and swept up in an astonishing array of archive footage, ’80s pop music, and a hand-drawn craft that brings audiences directly into the experience of a teen fleeing multiple countries—and the psychological impact on how he loves, trusts, and understands his burgeoning identity. Rasmussen weaves together a stunning tapestry of images in a triumph of storytelling and filmmaking ingenuity to tell a deeply affecting story of a man grappling with his traumatic past in order to find his true self and the real meaning of home.
The film tells the story of Amin Nawabi (a pseudonym) as he grapples with a painful secret he has kept hidden for 20 years, one that threatens to derail the life he has built for himself and his soon to be husband.Recounted mostly through animation to director Jonas Poher Rasmussen — his close friend and high-school classmate, he tells for the first time the story of his extraordinary journey as a child refugee from Afghanistan. Through heartfelt interviews between Jonas and Amin, FLEE tells an unforgettable story of self-discovery.
Flee is produced by Final Cut for Real, in co-production with animation studio Sun Creature, Denmark, Vivement Lundi!, France, MostFilm, Sweden, and Mer Film, Norway. ARTE France and Vpro, Nederland. The film is supported and produced in association with VICE Studios and RYOT Films and Ahmed’s Left Handed Films.
“So excited to partner up with NEON for the North America distribution, being such an innovative and bold company we feel they can secure a broad distribution across the US.” Monica Hellström & Signe Byrge Sørensen, Final Cut for Real
“Very excited to work with groundbreaking distributors NEON on getting FLEE out. Their roster of titles include a vast amount of my favourite films from the last couple of years and I’m extremely proud to now include my own work on that list.” Jonas Poher Rasmussen
Executive Producer Riz Ahmed said “I was floored by the emotional impact of Flee. This is a unique project that pushes forward our ideas of what documentary, animation, and refugee-centred narratives can be. I’m proud to help bring this project to life for English speaking audiences,”
Exec Producer Coster-Waldau also remarked, “When I watched Flee I was blown away by the power of a story told in a simple way. Flee is a story of extreme perseverance and hope where all hope seems lost. By using animation director Jonas Poher Rasmussen captures the intensity of one refugee’s unbelievable journey from the streets of Kabul to the Danish suburbia. Because Amin is able to tell his story hidden behind his animated avatar it feels so much more revealing and honest than had it been a standard filmed interview. I am incredibly proud to be a part of Flee and will encourage everyone to experience this gem of a film.”
Flee is directed by Jonas Poher Rasmussen, written by Jonas Poher Rasmussen and Amin Nawabi. It is edited by Janus Billeskov Jansen whose notable works include the Oscar-nominated The Hunt (2013), Joshua Oppenheimer’s Oscar®-nominated The Act of Killing (2012), Yance Ford’s Oscar-nominated Strong Island (2017), and Thomas Vinterberg’s Another Round (2020) the Danish entry for the 93rd Academy Awards.
The film is produced by Monica Hellström (The Distant Barking of Dogs) and two-time Oscar nominee Signe Byrge Sørensen (The Act of Killing, The Look of Silence), for Final Cut for Real (Denmark). Art Director Jess Nicholls, Animation Director Kenneth Ladekjær and Animation producer Charlotte De La Gournerie for Sun Creature Studio. Co-Produced by Jean-François Le Corre, Mathieu Courtois for Vivement Lundi !, France, Charlotte Most for MostFilm, Sweden & Maria Ekerhovd for Mer Film, Norway. Natalie Farrey, Jannat Gargi, and Danny Gabai executive produce for VICE Studios. Philippa Kowarsky is Executive Producer for Cinephil. While Hayley Pappas and Matt Ippolito executive produce for RYOT Films.
Jonas Poher Ramussen is a Danish/French film director born in 1981. He debuted in 2006 with the acclaimed TV documentary Something About Halfdan, followed by a series of radio documentaries from around the world. He graduated from the Danish film school Super16 in 2010. His feature film debut Searching for Bill, a mix of documentary and fiction, won him the Nordic Dox award at CPH:DOX, and the international competition prize at DocAviv.n In November 2015 he premiered his latest documentary What He Did, which won the prestigious Fipresci (Int. Federation of Film Critics) at Thessaloniki Film Fest. 2016.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
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