NEON’s SUPER LTD scoops up Oscar-shortlisted ‘Quo Vadis, Aida?’

SUPER LTD, the boutique label from NEON, have acquired North American rights to Jasmila Žbanić’s Quo Vadis, Aida?, which made its World Premiere to critical acclaim at the Venice Film Festival, where it received three Awards including the Brian Award, Signis Award and Premio Unimed. The film, which is Bosnia and Herzegovina’s Official Entry for the Academy Awards and was recently shortlisted, went on to premiere at the Toronto International Film Festival, and was nominated for an Independent Spirit Award for Best International Feature.  Written and directed by Žbanić, Quo Vadis, Aida? stars Jasna Djuricic and was produced by Sarajevo-based Deblokada, in co-production with coop99 filmproduktion (Austria), Digital Cube (Romania), N279 (Netherlands), Razor Film (Germany), Extreme Emotions (Poland), Indie Prod (France), Torden Film (Norway), TRT (Turkey), ZDF ARTE, ORF and BHRT.

Based on real events, Quo Vadis, Aida? is set in the Bosnian summer of 1995 during the Serbian occupation of Srebrenica, declared to be safe zone by the United Nations. Aida works as a translator for the UN peacekeeping task force in charge of a camp where her husband and two sons are being held along with thousands of other Bosnian citizens. Aida quickly gains access to crucial information she needs to translate, while the Serbian army gets closer to overtaking the camp.  Indiewire described the film as a “finely crafted epic”, with The Hollywood Reporter emphasizing it as “a terrifically harrowing historical film that’s impossible to forget”.

Dan O’Meara and Darcy Heusel negotiated the deal for SUPER LTD with Nicolas Eschbach and Simon Gabriele of Indie Sales.

Žbanić previously won the Berlinale Golden Bear in 2006 with her debut feature Grbavica, and had her second feature On The Path also competing at Berlin in 2010. She also directed For Those Who Can Tell No Tales and Love Island.

SUPER LTD recently acquired Theo Anthony’s All Light, Everywhere, which won a Special Jury Prize for Non-Fiction Experimentation at Sundance, as well as master director Gianfranco Rosi’s Notturno, Italy’s official submission for this year’s Academy Awards which was shortlisted for Best Documentary Feature.  Super LTD’s principals Darcy Heusel and Dan O’Meara were the team behind NEON’s Honeyland, which was the first non-fiction feature to land Academy Award nominations for Best Documentary and Best International Feature Film in the same year, and Victor Kossakovsky’s Gunda which was also shortlisted for Best Documentary Feature. 

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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