Netflix inks overall deal with Oscar and Golden Globe-winning producer Darla Anderson
Netflix today announced that it has entered into a multi-year overall deal with Darla Anderson (Coco, Cars, Toy Story 3), the Academy Award, Golden Globe, and BAFTA award-winning producer. At Netflix, Anderson will develop and produce new animated and live action projects, both feature films and series, for family audiences around the world.
Anderson joined Pixar Animation Studios in 1993, where she worked as a prolific and renowned producer until 2018. For over 25 years, her producing talents have contributed to some of the world’s most beloved and acclaimed animated feature films, including “A Bug’s Life,” “Monsters, Inc.,” the Golden Globe®-winning “Cars” and Academy Award®-winning “Toy Story 3.” The Producers Guild of America and the Academy Awards recognized Anderson’s work on “Toy Story 3” with a nomination for Best Picture.
Before assuming her feature film production duties, Anderson was the executive producer of Pixar Animation Studios’ commercial group. Prior to joining Pixar, she worked with Angel Studios in Carlsbad, California as the executive producer of their commercial division. It was here she was introduced to the world of 3D computer graphics, and from there she relocated to the Bay Area, with the intention of gaining a position at Pixar.
Anderson produced Disney•Pixar’s Coco, which won the 2018 Academy Award for Best Animated Feature Film. Under Anderson’s creative direction, Pixar exclusively cast Latino and Mexican actors in the film, making Coco the first-ever Hollywood feature film to have a 100% Latino and Mexican cast for both the English and Spanish-language versions.
“Darla is one of the most successful and accomplished producers in the entire film industry and her creative instincts for championing and shepherding films that transcend borders is truly unmatched,” said Melissa Cobb, vice president of kids & family at Netflix. “Together with Darla we will seek to bring more unique and diverse voices and entirely new mediums of storytelling to our global audience on Netflix.”
“I’ve been fortunate enough to have spent the entirety of my career working with art to try to change the world, and I can think of no more thrilling place than Netflix to continue down that path as Melissa Cobb and her team are building their next-generation animation studio and ambitious slate of programming from the ground up,” commented Anderson.
Anderson was elected to the Producers Council Board of the Producers Guild of America in July 2008. She is the first producer from the animation arena to be elected to the Council. Anderson is a strong advocate for the LGBTQX community and on behalf of organizations that empower women. She graduated from San Diego State University.
He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.
- ‘Shōgun,’ ‘Ripley,’ ‘Only Murders in the Building’ Earn Casting Society (CSA) Artios Awards Television Nominations - November 1, 2024
- Trailer Watch: ‘Unstoppable,’ ‘Paddington in Peru,’ ‘Cruel Intentions,’ ‘Squid Game 2’ and More - November 1, 2024
- SFFILM to Screen Mike Leigh’s ‘Hard Truths’ with Marianne Jean-Baptiste in Person - October 31, 2024
‘Shōgun,’ ‘Ripley,’ ‘Only Murders in the Building’ Earn Casting Society (CSA) Artios Awards Television Nominations 
Trailer Watch: ‘Unstoppable,’ ‘Paddington in Peru,’ ‘Cruel Intentions,’ ‘Squid Game 2’ and More 
‘Separated’ Review: Errol Morris Hasn’t Forgotten Trump’s Immigration Policy Cruelty and Neither Should We | Chicago International Film Festival 
‘Wallace & Gromit: Vengeance Most Fowl’ Review: There’s No Place Like Gnome | AFI FEST