Online Association of Female Film Critics (OAFFC) winners: ‘The Power of the Dog,’ Andrew Garfield, Ariana DeBose and more

Erik Anderson December 21, 2021

Jane Campion’s The Power of the Dog was the big winner from the Online Association of Female Film Critics (OAFFC), winning four of its seven nominations, including Best Film, Best Director and Best Adapted Screenplay.

Kristen Stewart (Spencer) and Andrew Garfield (tick, tick…BOOM!) were named Best Actress and Best Actor, respectively and Agathe Rousselle won Breakthrough Performance for her role in Titane. Kodi Smit-McPhee (The Power of the Dog) won Best Supporting Actor and Ariana DeBose (West Side Story) won Best Supporting Actress. Michael Sarnoski’s Pig was named Best Original Screenplay.

The Rosie, an OAFFC-specific award that “celebrates the film that best promotes women, their voices, and the female experience through cinema,” went to Maggie Gyllenhaal’s The Lost Daughter.

Here is the complete list of winners.

Best Film

Belfast
CODA
The Power of the Dog – WINNER
Spencer
The Worst Person in the World

Best Director

Kenneth Branagh, Belfast
Jane Campion, The Power of the Dog – WINNER
Julia Ducournau, Titane
Rebecca Hall, Passing
Denis Villeneuve, Dune

Best Male Lead

Nicolas Cage, Pig
Peter Dinklage, Cyrano
Andrew Garfield, tick, tick… BOOM! – WINNER
Joaquin Phoenix, C’mon C’mon
Will Smith, King Richard

Best Female Lead

Jessica Chastain, The Eyes of Tammy Faye
Renate Reinsve, The Worst Person in the World
Agathe Rousselle, Titane
Kristen Stewart, Spencer – WINNER
Tessa Thompson, Passing

Best Supporting Male

Colman Domingo, Zola
Jason Isaacs, Mass
Troy Kotsur, CODA
Kodi Smit-McPhee, The Power of the Dog – WINNER
Jeffrey Wright, The French Dispatch

Best Supporting Female

Caitríona Balfe, Belfast
Ariana DeBose, West Side Story – WINNER
Ann Dowd, Mass
Kirsten Dunst, The Power of the Dog
Riley Keough, Zola

Best Original Screenplay

Kenneth Branagh, Belfast
Julia Ducournau, Titane
Fran Kranz, Mass
Michael Sarnoski, Pig – WINNER
Joachim Trier and Eskil Vogt, The Worst Person in the World

Best Adapted Screenplay

Jane Campion, The Power of the Dog – WINNER
Maggie Gyllenhaal, The Lost Daughter
Sian Heder, CODA
Steven Levenson, tick, tick… BOOM!
David Lowery, The Green Knight

Best Acting Ensemble

Belfast
The French Dispatch
The Harder They Fall
Mass – WINNER
The Power of the Dog

Best Animated Feature

Belle
Flee
Luca
The Mitchells vs. the Machines – WINNER
Raya and the Last Dragon

Best Documentary

Flee – WINNER
Julia
Summer of Soul
The Rescue
Val

Best Cinematography

Bruno Delbonnel, The Tragedy of Macbeth
Greig Fraser, Dune – WINNER
Claire Mathon, Spencer
Andrew Droz Palermo, The Green Knight
Ari Wegner, The Power of the Dog

Breakthrough Filmmaker

Maggie Gyllenhaal, The Lost Daughter
Rebecca Hall, Passing – WINNER
Natalie Morales, Language Lessons
Edson Oda, Nine Days
Emma Seligman, Shiva Baby

Breakthrough Performance

Alana Haim, Licorice Pizza
Emilia Jones, CODA
Woody Norman, C’mon C’mon
Agathe Rousselle, Titane – WINNER
Saniyya Sidney, King Richard

The Rosie

I’m Your Man
The Lost Daughter – WINNER
Passing
Petite Maman
Shiva Baby

Photo: Kirsty Griffin/Netflix

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.