Online Film Critics Society (OFCS) Nominations: ‘Oppenheimer,’ ‘Killers of the Flower Moon,’ ‘Poor Things’ Lead

The Online Film Critics Society (OFCS) today announces nominees for their top film honors of 2023. Leading with a total of 12 nominations is Oppenheimer; other films earning multiple nominations include Martin Scorsese’s Killers of the Flower Moon (11) and Yorgos Lanthimos’ Poor Things (11), while Greta Gerwig’s Barbie (9), Celine Song’s Past Lives (5) and Justine Triet’s Anatomy of a Fall (5) each earn multiple nominations across categories.

A complete list of nominees is below. Winners will be announced on January 22.

Best Picture
Anatomy of a Fall
Asteroid City
Barbie
The Holdovers
Killers of the Flower Moon
May December
Oppenheimer
Past Lives
Poor Things
The Zone of Interest

Best Animated Feature
The Boy and the Heron
Nimona
Robot Dreams
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Director
Christopher Nolan – Oppenheimer
Greta Gerwig – Barbie
Yorgos Lanthimos – Poor Things
Martin Scorsese – Killers of the Flower Moon
Celine Song – Past Lives

Best Actor
Leonardo DiCaprio – Killers of the Flower Moon
Paul Giamatti – The Holdovers
Cillian Murphy – Oppenheimer
Andrew Scott – All of Us Strangers
Jeffrey Wright – American Fiction

Best Actress
Lily Gladstone – Killers of the Flower Moon
Sandra Hüller – Anatomy of a Fall
Greta Lee – Past Lives
Margot Robbie – Barbie
Emma Stone – Poor Things

Best Supporting Actor
Robert De Niro – Killers of the Flower Moon
Robert Downey Jr. – Oppenheimer
Ryan Gosling – Barbie
Charles Melton – May December
Mark Ruffalo – Poor Things

Best Supporting Actress
Emily Blunt – Oppenheimer
Danielle Brooks – The Color Purple
Rachel McAdams – Are You There God? It’s Me, Margaret.
Julianne Moore – May December
Da’Vine Joy Randolph – The Holdovers

Best Original Screenplay
Anatomy of a Fall
Barbie
The Holdovers
May December
Past Lives

Best Adapted Screenplay
American Fiction
Killers of the Flower Moon
Oppenheimer
Poor Things
The Zone of Interest

Best Editing
Anatomy of a Fall
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Cinematography
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Original Score
Killers of the Flower Moon
Oppenheimer
Poor Things
Spider-Man: Across the Spider-Verse
The Zone of Interest

Best Production Design
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Costume Design
Asteroid City
Barbie
Killers of the Flower Moon
Oppenheimer
Poor Things

Best Visual Effects
The Creator
Godzilla Minus One
Mission: Impossible – Dead Reckoning Part One
Oppenheimer
Poor Things

Best Feature Debut
Raven Jackson – All Dirt Roads Taste of Salt
Cord Jefferson – American Fiction
Danny Philippou, Michael Philippou – Talk to Me
A.V. Rockwell – A Thousand and One
Celine Song – Past Lives

Best Film Not in the English Language
Anatomy of a Fall
Fallen Leaves
Godzilla Minus One
Perfect Days
The Zone of Interest

Best Documentary
20 Days in Mariupol
American Symphony
Beyond Utopia
Kokomo City
Still: A Michael J. Fox Movie

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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