Online Film & Television Association (OFTA) Awards: ‘Oppenheimer’ Dominates with 12 Wins

Oppenheimer has won 12 Online Film & Television Association awards, celebrating the best in film for 2023, including Best Picture, Best Director and Best Adapted Screenplay for Christopher Nolan and Best Supporting Actor for Robert Downey Jr.

Barbie and The Holdovers were next with four wins apiece. Barbie’s included Production Design and Costume Design while The Holdovers took two acting prizes: Best Actor for Paul Giamatti and Best Supporting Actress for Da’Vine Joy Randolph.

Here is the complete list of winners including specialized categories like Best Poster and Best Trailer.

Best Picture:

1. Oppenheimer

2. The Holdovers
3. Past Lives
4. Anatomy of a Fall
5. Poor Things
6. Killers of the Flower Moon
7. Spider-Man: Across the Spider-Verse
8. Barbie
9. The Zone of Interest
10. American Fiction

Best Director: Christopher Nolan, Oppenheimer (Runner-up: Greta Gerwig, Barbie)

Best Actor: Paul Giamatti, The Holdovers (Runner-up: Cillian Murphy, Oppenheimer)
Best Actress: Emma Stone, Poor Things (Runner-up: Lily Gladstone, Killers of the Flower Moon)
Best Supporting Actor: Robert Downey Jr., Oppenheimer (Runner-up: Ryan Gosling, Barbie)
Best Supporting Actress: Da’Vine Joy Randolph, The Holdovers (Runner-up: Rachel McAdams, Are You There God? It’s Me, Margaret.)

Best Original Screenplay: David Hemingson, The Holdovers (Runner-up: Justine Triet and Arthur Harari, Anatomy of a Fall)
Best Adapted Screenplay: Christopher Nolan, Oppenheimer (Runner-up: Greta Gerwig and Noah Baumbach, Barbie)

Best Animated Feature: Spider-Man: Across the Spider-Verse (Runner-up: The Boy and the Heron)
Best Documentary: Still: A Michael J. Fox Movie (Runner-up: 20 Days in Mariupol)
Best Foreign Language Film: Anatomy of a Fall (Runner-up: The Zone of Interest)

Best Ensemble: Oppenheimer (Runner-up: Barbie)

Best Feature Debut: Celine Song, Past Lives (Runner-up: David Hemingson, The Holdovers)

Best Breakthrough Performance – Male: Dominic Sessa, The Holdovers (Runner-up: Charles Melton, May December)
Best Breakthrough Performance – Female: Lily Gladstone, Killers of the Flower Moon (Runner-up: Greta Lee, Past Lives)

Best Youth Performance: Milo Machado Graner, Anatomy of a Fall (Runner-up: Abby Ryder Fortson, Are You There God? It’s Me, Margaret.)

Best Voice-Over Performance: Shameik Moore, Spider-Man: Across the Spider-Verse (Runner-up: Helen Mirren, Barbie)

Best Casting: John Papsidera, Oppenheimer (Runner-up: Allison Jones and Lucy Bevan, Barbie)
Best Cinematography: Hoyte van Hoytema, Oppenheimer (Runner-up: Robbie Ryan, Poor Things)
Best Film Editing: Jennifer Lame, Oppenheimer (Runner-up: Laurent Sénéchal, Anatomy of a Fall)
Best Production Design: Sarah Greenwood, Barbie (Runner-up: Shona Heath and James Price, Poor Things)
Best Costume Design: Jacqueline Durran, Barbie (Runner-up: Holly Waddington, Poor Things)
Best Makeup and Hair: Poor Things (Runner-up: Barbie)
Best Original Score: Ludwig Göransson, Oppenheimer (Runner-up: Daniel Pemberton, Spider-Man: Across the Spider-Verse)
Best Original Song: “What Was I Made For?” from Barbie (Runner-up: “I’m Just Ken” from Barbie)
Best Adapted Song: “Pure Imagination” from Wonka (Runner-up: “Barbie World” from Barbie)
Best Sound: Oppenheimer (Runner-up: The Zone of Interest)
Best Sound Effects: Oppenheimer (Runner-up: Mission: Impossible – Dead Reckoning Part One)
Best Visual Effects: Godzilla Minus One (Runner-up: The Creator)
Best Stunt Coordination: John Wick: Chapter 4 (Runner-up: Mission: Impossible – Dead Reckoning Part One)
Best Titles Sequence: Barbie (Opening Credits) [Runner-up: Spider-Man: Across the Spider-Verse (Closing Credits)]

Most Cinematic Moment: Oppenheimer – Atomic Bomb Test (Runner-up: Barbie – Gloria’s Monologue)

Best Movie Trailer: Barbie – Teaser Trailer (Runner-up: Oppenheimer – Trailer #1)
Best Movie Poster: Oppenheimer (Runner-up: Poor Things)

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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