Oscar nominee Bing Liu among winners announced for Fall 2020 SFFILM Westridge Grants

SFFILM, in partnership with the Westridge Foundation, announced today the projects that will receive a total of $100,000 in funding in the sixth and final round of SFFILM Westridge Grants. Five filmmaking teams have been granted funding to help support the screenwriting stage of their narrative feature films.

The SFFILM Westridge Grant was launched in late 2017 under a three-year partnership designed specifically to support the screenwriting phase of narrative feature projects whose stories focus on the significant social issues and questions of our time. Providing support at this critical early stage protects filmmakers’ creative processes, and allows them the time and space to concentrate properly on crafting their story, structure, characters, and themes, and refining their projects before diving into financing, production, and beyond.

Projects that have received early support through the Westridge program are on track to be completed within the coming years. Channing Godfrey Peoples’ Miss Juneteenth, which was a winning project in the inaugural round of Westridge Grants in Spring 2018 and the first from the program to be completed, premiered at this year’s Sundance Film Festival and was released digitally this summer to great acclaim.

“We are deeply proud of this three-year partnership with the Westridge Foundation, and its innovative approach to direct support of the filmmaking process,” said Lauren McBride, SFFILM Director of Artist Development. “All of the films we’ve funded through this program represent risks — these are not prestige projects already destined for greatness, they are the seeds of important stories that need to be nurtured into important films. We are grateful to the Rachleff family and the Westridge Foundation for their vision and generosity, and we look forward to the years to come as the remarkable artists we’ve supported together realize their visions, craft their films, and share their stories with audiences everywhere.”

The panelists who reviewed the finalists’ submissions were Sofia Alicastro, SFFILM Artist Development Manager, Filmmaker Programs; Lauren McBride, SFFILM Director of Artist Development; Huriyyah Muhammad, producer, Farewell Amor; Bryce Norbitz, Director of Scripted Programs at Tribeca Film Institute; and Shelby Rachleff, Program Manager at the Westridge Foundation.

In a statement, the jury said, “We are thrilled to assemble this sixth and final cohort of SFFILM Westridge grantees. This exciting slate showcases clear vision, boldness of voice, and a cast of compelling characters. The stories reckon with embracing the past by way of family, land, and community, and building a reimagined future. We were struck by the diversity of location, experience, and background from this eclectic and interesting group of filmmakers. We are grateful and proud to support these storytellers as they dedicate time and focus to the earliest stages of the creative process.”

FALL 2020 SFFILM WESTRIDGE GRANT WINNERS

Chinks
Bing Liu, writer/director/producer; Jason Berman and Angela Lee, producers – $20,000
A Chinese American teen navigates his first romantic relationship while figuring out how to rescue his mother and half-brother from an abusive stepfather.

Frybread Face and Me
Billy Luther, writer/director/producer – $20,000
Two adolescent Navajo cousins from different worlds bond during a summer herding sheep on their grandmother’s ranch in Arizona, as they learn about their family’s past and themselves.

Galilee, Rhode Island
Christina Tucker, writer/director – $20,000
A fisherman recently released from prison falls for a drifter with a checkered past.

Pink Casa
Robert T. Herrera, writer/director/producer – $20,000
In the industrial neighborhoods of South Texas, a Tejano oil refinery worker raises his orphaned and selectively mute 12-year-old niece. After she is discovered by national art media for painting every inch of their house pink and for showcasing prodigious creative talent, a renowned 80-year-old New York art icon and his daughter make contact. Their visit prompts the two disparate families to unearth their losses and confront their coupled futures.

Preserves
Micah Ariel Watson, writer/director/producer – $20,000
When a restless dancer falls in love with an ex-offender — who appears young but was mysteriously born 150 years ago — an all-Black Kansas town, founded by former slaves, experiences a long-awaited cultural and spiritual revival.

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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