Dune: Part Two leads the 2024 San Diego Film Critics Society nominations with 12, followed by Conclave and Wicked with 9 apiece and Sing Sing... Read More
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On episode 263 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello break down the deluge of early... Read More
A flurry of awards avalanched this week with the Gotham Awards, New York Film Critics Circle, Spirit Awards nominations, National Board of Review winners and... Read More
The Seattle Film Critics Society has announced nominations for the 2024 SFCS Awards, honoring the year’s best in film. Alongside nine nominations for Brady Corbet’s The... Read More
The Michigan Movie Critics Guild has announced its nominees for the best films and performances of 2024. Anora, The Brutalist and Wicked tied for the... Read More
As always, the Globes split between drama and comedy/musical categories for lead acting and are now also, like Critics Choice, six nominees per category. A... Read More
The Australian Academy of Cinema and Television Arts (AACTA) has announced its domestic nominations for the 2025 AACTA Awards presented by Foxtel Group. Returning to... Read More
It’s hard to maintain an upbeat mood during the dire state of nonfiction and the recent U.S. presidential election result at this year’s DOC NYC,... Read More
Self-distributed Palestine doc takes top prizes, Soundtrack to a Coup d’Etat wins two The film set in the occupied West Bank won Best Feature Documentary... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More

Directors Guild of America (DGA) Awards: Paul Thomas Anderson Wins for ‘One Battle After Another’
British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
2024 San Diego Film Critics Society Nominations
AwardsWatch Podcast Ep. 263: Catching Up with Gotham and NYFF Winners, AFI, NBR and Spirit Awards Nominations
Frontrunner Friday Oscar Predictions: The Awards Season Blitz Has Begun
2024 Seattle Film Critics Society Nominations: ‘The Brutalist,’ ‘Dune: Part Two,’ ‘Furiosa: A Mad Max Saga’
2024 Michigan Movie Critics Guild (MMCG) Nominations: ‘Anora,’ ‘The Brutalist’ and ‘Wicked’ Lead
82nd Golden Globe Predictions – Motion Picture: Expect a ‘Wicked’ Good Day
2025 Australian Academy of Cinema and Television Arts (AACTA) Domestic Nominations: Robbie Williams Musical Biopic ‘Better Man,’ ‘Furiosa: A Mad Max Saga’ Lead
2024 DOC NYC Reveals Difficulties and Future of Documentary Filmmaking
40th IDA Documentary Awards: ‘No Other Land’ Wins Best Feature Documentary and Best Director
Director Watch Podcast Ep. 74 – ‘Three Colours: Red’ (Krzysztof Kieślowski, 1994)
Directors Guild of America (DGA) Awards: Paul Thomas Anderson Wins for ‘One Battle After Another’
British Society of Cinematographers (BSC): ‘One Battle After Another’ Takes Top Award
Society of Composers and Lyricists (SCL) Winners: ‘KPop Demon Hunters,’ ‘Sinners,’ ‘Train Dreams’ and More
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]