Pop superstar Robbie Williams hasn’t exactly been a great person. He’ll even tell you that himself, as he does in the opening narration to Better... Read More
Other
With the Venice, Telluride and Toronto film festivals behind us, the race has changed quite a bit since early summer (or has it?). While Telluride... Read More
It’s good to every once in a while just revel in a brutal action movie, where everyone knows what they’re here for. Films like The... Read More
After dramatizing some of our time’s most sensational collisions of news, entertainment and culture stories, it’s not surprising that it would be executive producers Ryan... Read More
The recent success of A Quiet Place: Day One has proven that audiences haven’t yet tired of dystopian survival horror, and based on its marketing,... Read More
Parenthood can be hard, time consuming and daunting – but it can also be selfish. Beyond the desire to have a child that carries your... Read More
The ficus religiosa envelops its tendrils around another tree. That is how this species of figs begins its growth. It proceeds to weave its tendrils... Read More
There are only so many ways to capture an icon on film. In Elton John’s case, there are now two. In 2019’s Rocketman, the superstar’s... Read More
While watching Eden, it’s hard to imagine what you’re seeing on screen actually happened. But perhaps that’s the entire point of the film: the crazier... Read More
On episode 252 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by Associate Editor Sophia Ciminello and AwardsWatch contributors Karen Peterson and Josh... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
‘Better Man’ Review: Hey, Hey, He’s A Monkey | TIFF
2025 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (September)
‘The Shadow Strays’ Review: Too Self-Indulgent by Half, Timo Tjahjanto’s Bloodlust Hits Epic Levels | TIFF
‘American Sports Story: Aaron Hernandez’ Review: A Clichéd, Lurid Afterschool Special Despite an Excellent Performance from Josh Rivera
‘Never Let Go’ Review: Halle Berry Wigs Out in Spooky, Effective Supernatural Thriller
‘The Assessment’ Review: Alicia Vikander Gives Parental Guidance in Mother Off with Elizabeth Olsen | TIFF
‘The Seed of the Sacred Fig’ Review: Mohammad Rasoulof’s Scathing Indictment of Iran’s Lack of Justice System | TIFF
‘Elton John: Never Too Late’ Review: The Award-Winning Musician Sings a Final Farewell to His Fans and For Himself | TIFF
‘Eden’ Review: Ron Howard Delivers His Most Exciting Project in Years with Too Wild To Be True Sexy Social Thriller | TIFF
AwardsWatch Podcast Ep. 252: 47th Oscars Retrospective and If We Picked the Nominees and Winners
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry