Fresh off a well-deserved Orizzonti Award win for Best Screenplay at the Venice Film Festival, Scandar Copti’s Happy Holidays lands at TIFF and does not... Read More
Other
A car passes along a dark road at night, then stops when a body appears. The driver, dressed like Missy Elliot in the music video... Read More
The Primetime Emmy Awards are tonight, back to their normal slot in September (after a strange year television-wise after last year’s strikes) to honor the... Read More
After 11 days, the 49th edition of the Toronto International Film Festival, presented by Rogers, came to a close and with it the ticketholder and... Read More
The most successful actor-turn-directors tend to be those who have a clearly-defined voice that they are able to transfer from in front of the camera... Read More
NewFest, New York’s leading queer film and media organization, announced the full lineup for the 36th edition of its annual New York LGBTQ+ Film Festival.... Read More
Here is a roundup of the week’s top new film and television trailers, including The Fire Inside, Venom: The Last Dance, Will & Harper, La... Read More
Winners of the 2024 Humanitas Prizes were announced and honored last night at the Avalon Hollywood during The 2024 Humanitas Prizes Awards Show & Toast,... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Award-winning cinematographer Rachel Morrison (the first woman ever Oscar-nominated for cinematography) makes her feature debut with The Fire Inside, an earnest yet conventional picture that... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
‘Happy Holidays’ Review: Scandar Copti’s Winning Screenplay Offers an Unflinching Look at the Impossibilities of Integration | TIFF
‘On Becoming a Guinea Fowl’ Review: Rungano Nyoni Blends Fantasy and Reality in Daring Story of Generational Trauma and Relief | TIFF
2024 Primetime Emmy Award Winners: ‘Shōgun’ Makes Emmys History while ‘Hacks’ Gets The Last Laugh in Comedy
‘The Life of Chuck’ Wins 2024 TIFF People’s Choice Award, ‘The Substance’ Nabs Midnight Madness Prize
‘The Deb’ Review: Not Quite a Rebel Yell But Wilson’s Dynamic Directorial Debut Delights | TIFF
2024 NewFest LGBTQ+ Festival Lineup: ‘A Nice Indian Boy,’ ‘Emilia Pérez,’ Legacy Screenings of John Waters Films and More
Trailer Watch: ‘The Fire Inside,’ ‘Venom: The Last Dance,’ ‘Will & Harper,’ ‘Salem’s Lot’ and More
2024 Humanitas Prize Winners: Ava DuVernay’s ‘Origin,’ ‘Fellow Travelers,’ ‘Hacks,’ ‘Nimona’
Director Watch Podcast Ep. 63 – ‘The Tree of Life’ (Terrence Malick, 2011)
‘The Fire Inside’ Review: Rachel Morrison’s Directorial Feature debut is a Sincere Yet Unremarkable, By-the-Numbers Sports Biopic | TIFF
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry