Life can be a series of question marks that are never resolved. We may forever wrestle with the possibilities and scenarios, but we are never... Read More
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MVFF47 will take place Thursday, October 3 – Sunday, October 13, 2024 The California Film Institute, who put on the annual Mill Valley Film Festival,... Read More
It’s time for the 2024 Primetime Emmy Awards! Stop me if you’ve heard this one before because yes, we kind of already had a 20204... Read More
Sister Barnes and Sister Paxton are doing missionary work for the Mormon Church. Paxton (Chloe East from The Fabelmans) is a sweet, bubbly chatterbox, while... Read More
If you thought the streaming era finally helped people get over their fear of the one-inch barrier of subtitles, Hollywood hasn’t received the same memo.... Read More
AARP The Magazine announced today that the annual Movies for Grownups Awards will be held in person in Beverly Hills on Saturday, January 11, 2025 with Tony... Read More
Near-death experiences famously create dissonance for those involved, a new outlook on life stemming from almost losing it. Natasha Rothwell (Insecure, The White Lotus) has... Read More
On episode 251 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Karen Peterson and Cody Dericks to discuss Tim Burton’s... Read More
Women know body horror all too well. Before we can even really grasp what they mean, the standards embedded in us tell us our bodies... Read More
Writer/director Angelina Jolie has shown a penchant for challenging films depicting war when she is behind the camera—think First They Killed My Father or Unbroken.... Read More

FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Denver Film Critics Society (DFCS) Nominations
International Cinematographers Guild (ICG) Nominations for Best Motion Picture Publicity Campaign
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
FINAL 2026 Oscar Predictions: BEST CASTING
FINAL 2026 Oscar Predictions: ANIMATED FEATURE
2026 Oscar Predictions: ANIMATED FEATURE (December)
2026 Oscar Predictions: BEST CASTING (December)
2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS (December)
‘Việt and Nam’ Review: Trương Minh Quý’s Haunting and Melancholic Look at a Country Struggling with its Past | TIFF
47th Mill Valley Film Festival (MVFF) Brings Amy Adams, Mikey Madison, Danielle Deadwyler, Jude Law, Payal Kapadia to the Bay Area for Awards and Tributes
FINAL 2024 Primetime Emmy Awards Predictions: Expect Record-Breaking Wins for ‘Shōgun,’ ‘The Bear,’ ‘Baby Reindeer’
‘Heretic’ Review: Hugh Grant is a Creep and a Weirdo in Deviously Devilish Debate About Religion | TIFF
‘Speak No Evil’ Review: James McAvoy Stars as a Sexy Villain in Remake That’ll Make You Scream
AARP Movies for Grownups Awards Announces 2025 Show Date, Alan Cumming to Return as Host
‘How to Die Alone’ TV Review: Natasha Rothwell Steals the Show (and a Credit Card) as a Natural Born Lead
AwardsWatch Podcast Ep. 251 – ‘Beetlejuice Beetlejuice’ Review and Our Favorite (and Least Favorite) Legacy Sequels with Guests Karen Peterson and Cody Dericks
‘The Substance’ Review: Coralie Fargeat Feeds Us Moore Gore in Blood-Soaked Rumination on Female Body Image | TIFF
‘Without Blood’ Review: Angelina Jolie Directs Salma Hayek and Demián Bichir With Lots of Looks But Little Content | TIFF
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry