Theater and cinema have always had a strange symbiotic relationship. While cinema has, over the decades, become more accessible to view than theater, theater is... Read More
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In Mikko Mäkelä’s second feature film, Sebastian, a queer 25-year-old aspiring writer named Max living in London begins a double life as a sex worker... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
When HBO’s Industry premiered in late 2020, it felt like Gen Z’s Succession with a little Skins in the game. It was a fresh and... Read More
The race for the next International Feature Film Oscar has begun and Ireland is first out of the gate. Rich Peppiatt’s film Kneecap will represent the country... Read More
The state of cinema is ravaged with unoriginal, unfulfilling, and downright wasteful popcorn, blockbuster filmmaking. In the past, there used to be an internal process... Read More
BAFTA today confirmed the categories, eligibility, voting rules and timeline for the 2025 EE BAFTA Film Awards, including the introduction of a new Children’s and... Read More
The trailer for the upcoming film Trap proudly declares it to be “a new experience in the world of M. Night Shyamalan.” This represents a... Read More
Imagine being 29-years old and already on your third Emmy nomination. That’s the reality for Hannah Einbinder, the breakout star of Max’s critically acclaimed series... Read More
Today, the Golden Globes announced that submissions are now open for the 82nd Annual Golden Globe Awards airing on Sunday, January 5, 2025 (8:00-11:00 PM, live... Read More

Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
How ‘Sing Sing’ and ‘Ghostlight’ Highlight the Power of Theater as Venues of Survival
Interview: ‘Sebastian’ Director Mikko Mäkelä and Star Ruaridh Mollica Reflect on Telling Queer Stories with Authenticity
Director Watch Podcast Ep. 57 – ‘Deja Vu (Tony Scott, 2006) with guest Brendan Cassidy of InSession Film
‘Industry’ Season 3 Review: It’s Time to Buy Stock in HBO’s Sexy, Live Wire Finance Drama
2025 Oscars: Official Submissions for International Feature Film
Faith, Heroes, Monsters, Scares, and Twists: Ranking the Films of M. Night Shyamalan
BAFTA Unveils New Category, Voting Rules and Eligibility for the 2025 EE BAFTA Film Awards
The Film We Don’t Speak Of – Revisiting M. Night Shyamalan’s Masterpiece ‘The Village’ 20 Years Later [Retrospective]
Interview: ‘Hacks’ Star Hannah Einbinder (‘Hacks’) on Crossing Comedy Thresholds and Her Favorite Scenes from Season 3
2025 Golden Globe Awards Submissions Open, Ricky Kershner and Glenn Weiss Return as Showrunners
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW