Focus Features has dropped the first trailer for Dìdi (弟弟) from Oscar-nominated director Sean Wang (Nai Nai & Wài Pó). The film is set in... Read More
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GALECA: The Society of LGBTQ Entertainment Critics’ theater wing members named their favorites in New York theater for the second annual Dorian Theater Awards with... Read More
Another week closer to this season’s Emmy deadline and the race is heating up. For Your Consideration campaigns are beginning for Emmy contenders across every... Read More
Yorgos Lanthimos, Andrea Arnold, Sean Baker, Karim Aïnouz and Miguel Gomes compete for the Palme d’Or with their shot-on-KODAK film titles Kodak Motion Picture and... Read More
I’m not sure if I’ve ever embarked on this type of tangent with talent before, at least during an interview. Then again, opportunities for me... Read More
In the realm of television, Prime Video’s Expats emerges as a promising contender for this year’s awards season, boasting a stellar cast led by luminaries... Read More
On episode 231 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Dan Bayer to review the latest film from A24,... Read More
The main show of the 2024 BAFTA TV Awards were held tonight live from London’s Royal Festival Hall and hosted by Rob Beckett and Romesh... Read More
It’s a risky prospect to give a movie a title that could also be used to critically assess it. Some titles are basically asking to... Read More
Showtime’s Fellow Travelers, Amazon Freevee’s Jury Duty and the Oscar-winning 20 Days of Mariupol were among the winners of the 84th Peabody Awards in the... Read More

76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
‘Sinners’ Leads 57th NAACP Image Awards with 9 Going Into Final Night
Producers Guild (PGA) and Screen Actors Actors Guild (SAG) Awards Television Predictions: Stop Me If You Think That You’ve Heard This One Before
41st Casting Society Artios Awards (CSA): ‘Sinners,’ ‘Jay Kelly,’ ‘The Pitt,’ ‘The Studio’ and More
César Awards: ‘The Ties That Bind Us’ Wins Best Film; Richard Linklater Becomes Second American-born Filmmaker to Win Best Director
A Guide to the 2026 Oscar-Nominated Documentary Short Films
A Guide to the 2026 Oscar-Nominated Live Action Short Films
Frontrunner Friday Oscar Predictions: The Last Battle Before the War is Won (2/27/26)
Frontrunner Friday Oscar Predictions: The Pre-BAFTA Conclave Begins, Will a New Frontrunner Be Anointed? (2/20/26)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
‘Dìdi (弟弟)’ Trailer: Sean Wang Takes Us Back to the Bay in Nostalgic Coming of Age Tale
‘Merrily We Roll Along,’ ‘Stereophonic,’ Oh, Mary!’ Lead LGBTQ Critics’ Dorian Theater Award Nominations
2024 Emmys: Weekly Predictions in Drama, Comedy and Limited Series Categories
2024 Cannes Selection Features 29 Productions Shot on KODAK Film
Interview: Actor Hoa Xuande on Rediscovering Passion and Reconnecting to Language in ‘The Sympathizer’
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AwardsWatch Podcast Ep. 231: ‘I Saw the TV Glow’ Review and Our Favourite A24 Films
2024 BAFTA TV Awards Winners: ‘The Sixth Commandment,’ ‘Top Boy,’ ‘Happy Valley’
‘Good One’ Review: India Donaldson’s Feature Debut is a Profound and Big-Hearted Triumph | Chicago Critics Film Festival
84th Peabody Awards Winners: ‘Fellow Travelers,’ ‘Jury Duty,’ ’20 Days of Mariupol’ and More
76th American Cinema Editors ACE Eddie Awards: ‘Sinners,’ ‘One Battle After Another,’ ‘The Pitt’ Take Top Wins
Interview: Stellan Skarsgård on Navigating the Ever-Changing Film Industry and the Cathartic Ending of ‘Sentimental Value’
Director Watch Podcast Ep. 141 – ’49th Parallel aka The Invaders’ (Powell and Pressburger, 1942)