When the slate of films premiering in competition at the Cannes Film Festival was revealed last Spring, one still stood out among the rest. In... Read More
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Four film scores have hit all precursors so far: Critics Choice, Golden Globe, Hollywood Music in Media, Society of Composers & Lyricists as well as... Read More
It’s hard to believe it’s been 25 years since Almost Famous made Kate Hudson an Academy Award nominee and, well, famous. In that film, Hudson... Read More
We won’t have Writers Guild nominations until after Oscar nominations but with the strictness of the WGA rules eliminating so many top contenders it’s never... Read More
Don’t think I’m going to change my top 5 in Costume Design from last month, or any placement on the list. Five films have both... Read More
Director Joachim Trier and his co-writer, Eskil Vogt, have the kind of collaborative relationship that the characters in their films could sometimes only dream of.... Read More
While Frankenstein is a sure bet for Makeup and Hairstyling, with its Critics Choice win, three MUAH noms and BAFTA longlist mention, getting blanked by... Read More
New films from Boots Riley, Jay Duplass, the world premiere of Ready or Not 2: Here I Come and a new series from David E.... Read More
Paul Mescal and I are sitting in a booth in restaurant at The Parker in Palm Springs. It’s barely a few days into the new... Read More
The Guild of Music Supervisors (GMS) have announced the nominations of their 16th Annual Guild of Music Supervisors Awards. The ceremony honors outstanding achievement in the craft... Read More

Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]
‘The Comeback’ Season 3 Review: Cherish is the Word I Use to Describe Lisa Kudrow [A-]
‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
‘They Will Kill You’ Review: Zazie Beetz’s Final Girl Slays in Gonzo Satanic Slasher [B+] SXSW
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
Interview: Joachim Trier and Eskil Vogt on Capturing Memory in ‘Sentimental Value,’ Missing Robert Redford, and the Movies That Make Them Cry
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
Interview: Paul Mescal on the Creative Freedom of ‘Hamnet’ and Finding Magic and Love with His Co-Stars
‘Sinners’ Leads Guild of Music Supervisors (GMS) Nominations
Association of Motion Picture Sound (AMPS) Television and Nonfiction Nominations Announced: ‘Adolescence,’ ‘Black Mirror,’ ‘Slow Horses’ and More
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW