AwardsWatch

‘Bros’ review: Billy Eichner flips the script and gives us a hilarious and heartfelt gay rom-com that’s one of the funniest films of the year [A-]

Film Reviews

‘Bros’ review: Billy Eichner flips the script and gives us a hilarious and heartfelt gay rom-com that’s one of the funniest films of the year [A-]

Erik Anderson September 19, 2022

If you were a young gay growing up in the height of the 80s to 90s rom-com era of Julia Roberts and Meg Ryan you... Read More

‘A Gaza Weekend’ review: Basil Khalil’s feature debut is an underwhelming, uneven comedy of finding human compassion in the direst of circumstances [C-] | Toronto

Mina Takla September 19, 2022

One of the most anticipated feature debuts at this year’s Toronto International Film Festival, Basil Khalil’s A Gaza Weekend is the filmmaker’s follow-up to his... Read More

The AwardsWatch Podcast #153: TIFF 2022 Wrap Up

Podcasts

The AwardsWatch Podcast #153: TIFF 2022 Wrap Up

Ryan McQuade September 19, 2022

On episode 153 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AwardsWatch contributors Nicole Ackman, Dan Bayer,... Read More

2023 Oscar Predictions: BEST ACTOR (September)

Erik Anderson September 19, 2022

Brendan Fraser in The Whale was the Best Actor frontrunner before the film even debuted at Venice but now, post-TIFF and the responses to his... Read More

‘Raymond & Ray’ review: Ethan Hawke and Ewan McGregor lead a game cast who thread the needle of tragedy and comedy beautifully in Rodrigo García’s best film to date [B] | Toronto

Daniel Bayer September 18, 2022

Half-brothers Raymond (Ewan McGregor) and Ray (Ethan Hawke) have one thing in common: They hate their father. The no-good son of a bitch made life... Read More

‘The Fabelmans’ review: Steven Spielberg’s most personal film celebrates the art and struggles of telling stories through film [B+] | Toronto

Mina Takla September 18, 2022

In his most personal film to date, one that will certainly delight cinephiles as well as mainstream audiences who love his work, Steven Spielberg’s The... Read More

TIFF 2022: Steven Spielberg’s ‘The Fabelmans’ wins TIFF People’s Choice Award, locks in Oscar prospects

Erik Anderson September 18, 2022

Steven Spielberg’s The Fabelmans, the personal tale of his growing up years and his inspirations as a young filmmaker, has won the 2022 TIFF People’s... Read More

‘Plan 75’ review: Chie Hayakawa’s feature debut is a heartbreaking look at isolation and displacement [B+] | Toronto

Mina Takla September 18, 2022

Japan’s official submission for this year’s Academy Awards in the International Feature Film category, Chie Hayakawa’s Plan 75 is an emotionally dense, harrowing look at... Read More

‘Will-o’-the-Wisp’ review: A sensory queer musical with grand thematic scope [B+] | Toronto

Matt St. Clair September 18, 2022

Despite running at a brisk 67 minutes, Joao Pedro Rodrigues’ Will-o’-the-Wisp has a near-epic feel with its grand thematic scope. Within its short run time,... Read More

‘Saint Omer’ review: Alice Diop’s feature debut is a radical, unsettling, and fascinating look at motherhood [A-] | Toronto

Mina Takla September 17, 2022

There are films that linger with you after the lights go back on. You keep thinking about them, their characters never leaving your thoughts, as... Read More

2025 Oscar Predictions

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