“Only good things come with time,” a vicious comeback said by Thelonious ‘Monk’ Ellison (Jeffrey Wright) when getting into a heated argument with a fellow... Read More
Other
It is said in soccer that if the goalie needs to block the ball, that means the rest of the team already failed somewhere else.... Read More
In her impressive directorial debut Woman of the Hour, actress-turned-director Anna Kendrick builds on a horrifying true crime case to deliver an unflinching look at... Read More
One of the smartest, most satisfying films at the Toronto International Film Festival this year, Ilker Çatak’s The Teachers’ Lounge uses a German school as... Read More
Egyptian-Austrian filmmaker Abu Bakr Shawky made quite the splash in 2018 with his debut feature film Yomeddine which became the first ever Egyptian debut film... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
HamptonsFilm announced today the full slate of programming for the 2023 edition of the Hamptons International Festival (HIFF), including the Closing Night presentation of Bradley... Read More
The job of a critic is to provide recommendations for the general public based on a presumed strong understanding of art forms. In the present... Read More
The absence of a parent in childhood or adulthood can be just as powerful and impactful as the presence of one. Losing multiple parents can... Read More
Religious missionaries don’t have the best track record when it comes to encountering new communities that aren’t necessarily interested in getting to know their faith.... Read More

Director Watch Ep. 135 – ‘Bulworth’ (Warren Beatty, 1998)
Chicago Indie Critics (CIC) Winners: ‘Sinners’ Nabs 10 Awards
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
Interview: Mascha Schilinski and Fabian Gamper on Crafting a Memory Piece and Exploring Transgenerational Trauma in ‘Sound of Falling’
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
Kate Hudson on Honoring Claire Sardina and Going Back to Her Musical Roots in ‘Song Sung Blue’ [VIDEO INTERVIEW]
2026 SXSW Film & TV Festival Lineup: ‘Ready or Not 2,’ ‘I Love Boosters’ and the Return of David E. Kelley
On the Shelf: ‘Bringing Out the Dead,’ ‘Evil Dead Rise,’ and ‘The Pink Panther’ Films Land on 4K Blu-ray for Week of January 12
FINAL 2026 Oscar Predictions: SUPPORTING ACTOR
FINAL 2026 Oscar Predictions: SUPPORTING ACTRESS
FINAL 2026 Oscar Predictions: DOCUMENTARY FEATURE and INTERNATIONAL FEATURE FILM
FINAL 2026 Oscar Predictions: ORIGINAL SCORE, ORIGINAL SONG, SOUND
FINAL 2026 Oscar Predictions: ADAPTED SCREENPLAY and ORIGINAL SCREENPLAY
FINAL 2026 Oscar Predictions: COSTUME DESIGN and PRODUCTION DESIGN
FINAL 2026 Oscar Predictions: MAKEUP and HAIRSTYLING and VISUAL EFFECTS
FINAL 2026 Oscar Predictions: FILM EDITING and CINEMATOGRAPHY
‘American Fiction’ Review: Cord Jefferson’s Bold and Broad Satire Finds Jeffrey Wright Giving One of the Best Performances of His Career | Toronto
‘A Normal Family’ Review: The Kids Are Not Alright | Toronto
‘Woman of the Hour’ Review: Anna Kendrick’s Directorial Debut Intelligently Examines the Convergence of Toxic Masculinity and Gender Prejudice | Toronto
‘The Teachers’ Lounge’ Review: Ilker Çatak’s Oscar Entry from Germany is a Brilliant and Powerful Reflection on Flawed Democracies | Toronto
‘Hajjan’ Review: Abu Bakr Shawky’s Follow-Up to ‘Yomeddine’ a Mostly Enjoyable Crowd Pleaser That Rings a Bit Hollow | Toronto
Director Watch Podcast Ep. 10 – ‘Sicario’ (Villeneuve, 2015)
31st Hamptons International Film Festival Announces Full Lineup including Closing Night Film ‘Maestro’
‘The Critic’ Review: Ian McKellen and Gemma Arterton Astound in a Period Portrait of a Cheeky Connoisseur | Toronto
‘North Star’ Review: Kristin Scott Thomas Gets Personal as She Tackles Family Dynamics and Loss in Directorial Debut Inspired by Her Own Life | Toronto
‘The Convert’ Review: A Compelling Historical Look at 19th Century British Colonialism of the Māori | Toronto
Director Watch Ep. 135 – ‘Bulworth’ (Warren Beatty, 1998)
Chicago Indie Critics (CIC) Winners: ‘Sinners’ Nabs 10 Awards