The 33rd Gotham Awards kick off the 2023/2024 awards season on November 27 and while it’s good to remember it’s a very small sample group... Read More
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The Gotham Film & Media Institute announced today that Apple Original Films’ critically acclaimed Killers of the Flower Moon, directed by Academy Award-winning filmmaker Martin Scorsese,... Read More
When you’re talking to Andrew Scott he leans in. As a listener and conversationalist you feel like you might be the only two people in... Read More
As soon as the very first frame of All of Us Strangers emerges onto the screen, it’s hard not to find oneself moved by the... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
There is no fictional character whose resume can match the King of the Monsters. Over the course of 70 years and 37 films (and counting),... Read More
Sandra Hüller is already a European household name, but now it’s time for the rest of the world to join in. The German actress’ meteoric... Read More
My, how a year can change someone’s life. In such a short span of time, Paul Mescal has become one of the most in demand,... Read More
The Gotham and BIFA nominations have given us their usual inside look at what the Spirit Awards and BAFTA might look like, a peripheral version... Read More
The International Documentary Association has announced nominations in 18 categories for its 39th awards, led by Lea Glob’s Apolonia, Apolonia with four mentions. Milisuthando Bongela’s... Read More

2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D]
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A]
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
AwardsWatch Podcast Ep. 341 – Diving into Emmy Season with First Predictions
2026 Tonys: Laurie Metcalf (‘Little Bear Ridge Road,’ ‘Death of a Salesman’) May Join Elite Group of Double-Nominated Performers
2026 Tribeca Festival Celebrates 25th Anniversary with World Premieres of ‘Hadestown: The Musical,’ ‘Earth, Wind & Fire’ Doc
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
2023 Gotham Awards Predictions: ‘All of Us Strangers,’ ‘Past Lives’ ‘Poor Things’ Could All Prevail
‘Killers of the Flower Moon’ to Receive Historical Icon & Creator Tribute Honor at Gotham Awards
Interview: Andrew Scott on the Responsibility and Privilege of Being in ‘All of Us Strangers,’ Coming Out Stories, and Intimacy with Paul Mescal
Interview: With ‘All of Us Strangers,’ Cinematographer Jamie D. Ramsay Choreographs a Story of Love
Director Watch Podcast Ep. 20 – ‘Magnolia’ (Paul Thomas Anderson, 1999)
‘Godzilla Minus One’ Review: Long Live the King of Monsters
Interview: Sandra Hüller’s Highwire Act of Pushing the Boundaries of Motherhood in ‘Anatomy of a Fall’ and Balancing Reverence and Collective Guilt in ‘The Zone of Interest’
Interview: Paul Mescal on Explorations of the Past and Creating a Natural Chemistry with Andrew Scott for ‘All of Us Strangers’
2024 Oscar Predictions: BEST PICTURE and BEST DIRECTOR (November)
‘Apolonia, Apolonia’ Leads 2023 International Documentary Association (IDA) Nominations, Awards to Go Virtual
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D]
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A]
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’