The American Black Film Festival (ABFF) announced today the selection of finalists who will compete in its Annual HBO Short Film Award Showcase and Series and... Read More
Other
A title as poetic as Fallen Leaves entirely suits the fourth installment of Finnish filmmaker Aki Kaurismäki’s working-class series, which began with Shadows in Paradise,... Read More
Ahead of its world premiere in competition at the Cannes Film Festival this week, Focus Features has dropped three first look clips of Asteroid City,... Read More
Let’s face it. Broadcast television has been struggling since the streaming giants have been on the scene. Only the best sitcoms that can manage to... Read More
On episode 183 of The AwardsWatch Podcast, AW Executive Editor Ryan McQuade is joined by Editor-In-Chief Erik Anderson and AW contributors Zach Laws and Catherine... Read More
If asked to describe How to Have Sex in one word, the answer, however strange, comes easily in the form of a place: an airport.... Read More
In his 1836 fairy tale, The Little Mermaid, Hans Christian Andersen states that “mermaids do not have tears, and therefore, they suffer more.” Rob Marshall... Read More
In 2015, Todd Haynes came to Cannes to premiere Carol that received rave reviews and an instant cult classic treatment. He came back to the... Read More
The biggest event of Cannes this year is the return of Martin Scorsese, 38 years after After Hours. The expectations for Killers of the Flower... Read More
The Safdie Brothers’ Good Time cinematographer Sean Price Williams returns to the Cannes Film Festival after last year’s Funny Pages premiere but this time as... Read More

Oscar-Nominated Director Sam Davis on Creating ‘The Singers,’ Finding His Stars, and His Own Path to Filmmaking [VIDEO INTERVIEW]
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards
“Wuthering Heights” Review: Emerald Fennell’s Stylish Spin on the Classic Novel is More Bodice Ripper Than Brontë Gripper [C+]
AwardsWatch Podcast Ep. 331 – The State of the Oscar Race Post-DGA
Latino Entertainment Journalists Association (LEJA) Film Awards: ‘Sinners’ Wins 6, Including Best Picture
International Cinephile Society (ICS) Awards: ‘The Secret Agent’ Wins Six, Including Acting Prizes for Wagner Moura and Tânia Maria
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
American Black Film Festival (ABFF) selects Oscar-qualifying HBO Short Film Showcase finalists
‘Fallen Leaves’ review: Love wins in Aki Kaurismäki’s tender tragicomedy of the working class that finds him at his romantic best | Cannes
Focus Features drops first look clips of ‘Asteroid City’ ahead of its Cannes Film Festival debut
Interview: Danielle Pinnock and Rebecca Wisocky, the dynamic duo of ‘Ghosts,’ talk about Alberta and Hetty’s feud coming to an end, character growth and what they want to see next [VIDEO]
AwardsWatch Podcast #183: ‘Fast X’ review, revisiting and ranking the ‘Fast and the Furious’ franchise, plus the first ‘Killers of the Flower Moon’ trailer
‘How to Have Sex’ review: Molly Manning Walker’s sensational, high-energy debut an equally urgent cautionary tale of consent | Cannes
‘The Little Mermaid’ review: Halle Bailey’s star-making performance saves the latest Disney live-action remake from floundering
‘May December’ review: Natalie Portman and Julianne Moore make a meal out of Todd Haynes’ delicious story of infamy and obsession | Cannes
‘Killers of the Flower Moon’ review: Martin Scorsese’s true American crime story of greed, murder and love may be his most empathetic | Cannes
‘The Sweet East’ review: Talia Ryder is exceptional in this satirically nihilistic look at American anarchy | Cannes
Oscar-Nominated Director Sam Davis on Creating ‘The Singers,’ Finding His Stars, and His Own Path to Filmmaking [VIDEO INTERVIEW]
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards