It all started with a book that shouldn’t have been opened and human curiosity. Young people find this ancient artifact (Necronomicon) that oozes with sinister... Read More
Other
It was the rainiest day in Hollywood I’d ever seen. Jonathan Tucker shows up in a shirt, jeans, trucker hat and…flip-flops. “I just got back... Read More
Matt Ruskin’s Boston Strangler is not the first time the titular serial killer has appeared onscreen. The 1964 The Strangler was inspired by the murders,... Read More
Sophomore seasons of television can succumb to the same pitfalls as movie sequels: they can be bloated, try too hard to out-do what they’re following,... Read More
It’s been almost 10 years since the first John Wick brought Keanu Reeves (who was one of the biggest action stars of the 90s thanks... Read More
The music that Cora (Megan Stalter) plays isn’t particularly pleasant on the ears. With lyrics like “get out of my house” and “dreams are stupid... Read More
When do you really know that the world is ending, and it’s okay to do something completely out of character with irreversible consequences? There’s no... Read More
When we first meet Alejandro at a young age in Problemista, he is dreaming of a world beyond the one that we live in. His... Read More
Right before we were about to see Jake Johnson’s feature length directorial debut Self Reliance at the 2023 SXSW Film Festival, he came on stage... Read More
How do comedians deal with PTSD? Typically, it’s to tell jokes to mask or subvert the trauma, but that doesn’t necessarily make the pain go... Read More

Gerran Howell on Whitaker’s Growth in Season Two of ‘The Pitt,’ Dr. Robby’s Intentions, and His Go-To Karaoke Song [VIDEO INTERVIEW]
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]
2026 Cannes: Short Film and La Cinef Titles Announced
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
‘Michael’ Review: It’s Bad, It’s Bad (Really, Really Bad) [D]
‘Half Man’ Review: Richard Gadd’s Brutal Exploration of Malevolence is an Acting Masterclass from Himself and Jamie Bell [A]
AwardsWatch Podcast Ep. 342: Reviewing ‘Mother Mary’
On the Shelf: ‘Send Help,’ ’28 Years Later: The Bone Temple,’ ‘Die My Love,’ “Sleepers,’ and ‘Point Blank’ Highlight the 4K Physical Media releases for the Week of April 20
2026 Cannes: Short Film and La Cinef Titles Announced
2026 Tribeca Festival TV Lineup Announced: Season Two Premieres of ‘Adults,’ ‘X-Men ’97’ and More
‘Evil Dead Rise’ review: Lee Cronin reanimates the classic horror franchise with a gleefully gruesome performance from Lily Sullivan | SXSW
Jonathan Tucker: The Nicest Tough Guy in Hollywood
‘Boston Strangler’ review: Keira Knightley is reliably great in film that highlights important work of the female journalists rather than the serial killer they’re covering
‘Yellowjackets’ season two review: Trauma deepens for the wilderness gang, as does the show’s richer examination of it
‘John Wick: Chapter 4’ review: The operatic fourth edition of the action series proves that too much is never enough | SXSW
‘Cora Bora’ review: Megan Stalter is a captivating, comedic wrecking ball in Hannah Pearl Utt’s hilarious and poignant comedy | SXSW
‘If You Were the Last’ review: Zoë Chao and Anthony Mackie give gravity some levity as stranded astronauts in an out-of-this-world comedy | SXSW
‘Problemista’ review: Julio Torres’s inventive immigration satire finds him bonded with an extra kooky Tilda Swinton | SXSW
‘Self Reliance’ review: Jake Johnson’s spoof on high concept game show premise plays it a bit too safe | SXSW
‘I Used to Be Funny’ review: Rachel Sennott is spectacular in Ally Pankiw’s confrontation of comedy and trauma | SXSW
Gerran Howell on Whitaker’s Growth in Season Two of ‘The Pitt,’ Dr. Robby’s Intentions, and His Go-To Karaoke Song [VIDEO INTERVIEW]
‘Leviticus’ Review: Adrian Chiarella Conjures a Timely and Biblically Scary Gay Horror Story [A-]