On episode 160 of The AwardsWatch Podcast, AwardsWatch Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello and Dan Bayer to talk about... Read More
Other
Aftersun, the debut feature from Charlotte Wells, which premiered at Cannes and swept through the fall festivals to end up the best-reviewed film of the... Read More
“C’mon, Oscar,” says Bette Davis in The Star (1952), clutching one of her own golden statuettes from the 1930s. “Let’s you and me get drunk!”... Read More
The Atlanta Film Critics Circle has chosen The Daniels’ Everything Everywhere All At Once as the best film of 2022, also awarding the pair Best... Read More
Steven Spielberg’s The Fabelmans – this year’s prospective Best Picture frontrunner, the 2022 Toronto International Film Festival’s People’s Choice Award winner, and the latest film... Read More
2022 New York Film Critics Circle (NYFCC) winners: ‘TÁR’ takes Best Film, Actress; A24 has a big day
2022 New York Film Critics Circle (NYFCC) winners: ‘TÁR’ takes Best Film, Actress; A24 has a big day
The New York Film Critics Circle, the first of the top tier trifecta of critics’ groups that includes Los Angeles and the National Society of... Read More
From the moment Amores Perros debuted in 2000, writer-director Alejandro González Iñárritu has been examining the emotional tapestry of the human condition, leaving audiences enamored... Read More
One of my favorite Christmas poems growing up goes, “‘Twas the night before Christmas, when all through the house, not a creature was stirring, except... Read More
Guillermo Del Toro’s Pinocchio may be one of the most stunning technical achievements of the decade. The Academy award- winning director constantly takes on new... Read More
In music, Janelle Monáe has been an ArchAndroid and an Electric Lady. In film, she burst onto the scene in 2016 co-starring in the SAG... Read More

Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]
Oscar-Nominated Director Sam Davis on Creating ‘The Singers,’ Finding His Stars, and His Own Path to Filmmaking [VIDEO INTERVIEW]
‘Kokuho’ Review: The Vibrant World of Kabuki is Spectacularly Recreated in Lee Sang-il’s Resilient Character Study [B+]
‘Crime 101’ Review: Chris Hemsworth Brings the Heat in Michael Man-Influenced Actioner as Good as its Title is Bad [B+]
AwardsWatch Podcast Ep. 332 – Oscars Retrospective of the 74th Academy Awards
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
AwardsWatch Podcast #160: ‘Cocaine Bear,’ and Critics’ Awards season begins
‘Aftersun’ tops British Independent Film Awards (BIFA) with seven; ‘Blue Jean’ wins four prizes
‘The Star’ retrospective: Bette Davis put the camp in Oscar campaign in the zenith of meta awards movies
Atlanta Film Critics Circle Awards: ‘Everything Everywhere All At Once’ wins Best Picture
This season’s box office for traditional awards films is bad, but does it matter?
Interview: Alejandro González Iñárritu on the duality of identity and making his personal dreams the foundation of his vibrant cinematic reality with ‘Bardo’
‘Violent Night’ review: Merry Christmas to all, and to all a good fight
Cinematographer Frank Passingham on merging worlds and bringing the stop motion of ‘Guillermo del Toro’s Pinocchio’ to life
Interview: Janelle Monáe defines her own success and in ‘Glass Onion’ her talent is no mystery
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Matt Johnson and Jay McCarrol on the Unlikely, Legally-Challenged Journey of Getting ‘Nirvanna The Band The Show The Movie’ to the Big Screen [VIDEO INTERVIEW]