It begins with a scene akin to a horror film when the protagonist faces the worst nemesis. Three girls are sitting in a bathtub huddled... Read More
Other
“You’ve got to be strong to be a First Lady.” That’s a line stated by Trinitie Childs (Regina Hall) early on in Adamma Ebo’s feature... Read More
Mariama Diallo’s debut feature Master begins as most coming of age college films do, with orientation and getting to know the place our characters have... Read More
Slave to Sirens only exists at nightfall. When the sun dips over the horizon, Lebanon’s first all-woman metal band emerges from their daytime existence to... Read More
Every day, soldiers come home from across the world and face a common, harsh reality; that after years of dedicated service to their country, we... Read More
After Yang, director Kogonada’s highly anticipated follow up to his 2017 indie darling Columbus, starts with a Jake (Colin Farrell), Kyra (Jodie Turner-Smith), and their... Read More
Many thrillers try too hard to be original. They try to incorporate a twist to their intriguing premise. They throw a curveball at the midpoint... Read More
You can’t blame Noa (Daisy Edgar-Jones) for taking her chances with Steve (Sebastian Stan) at a grocery store. She’s survived too many awful dates and... Read More
There is a line in writer/director Lena Dunham’s new film that has one character cooing to another, “you are a weird and lovely surprise.” Considering... Read More
Forget the Keanu-aissance, we need to be all in for the Emma-aissance. While she never went away, it does feel as if universal treasure Emma... Read More

‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
Director Watch Podcast Ep. 139 – ‘Les Rendez-vous d’Anna’ (Chantal Akerman, 1978)
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Costume Designers Guild (CGD) Winners: ‘Frankenstein,’ ‘One Battle After Another,’ ‘Andor’ and More
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Cinema Audio Society (CAS) Unveils Recipients for Inaugural Jeffrey S. Wexler Award for Advancement in Sound Technology
41st Spirit Awards Winner Predictions: In One of the Least Oscary Years in a Decade, it’s Anyone’s Game
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Sundance Review: James Ponsoldt’s ‘Summering’ is an adventurously fanciful but cold tale of childhood [Grade: C]
Sundance Review: Regina Hall and Sterling K. Brown preach a committed yet familiar gospel in church satire ‘Honk for Jesus, Save Your Soul’ [Grade: B-]
Sundance Review: Mariama Diallo’s ‘Master’ balances horrors real and imagined in the world of institutionalized academic racism [Grade: B]
Sundance Review: ‘Sirens’ follows Lebanon’s first all-woman metal band screaming their way to success [Grade: B]
Sundance Review: A career-best performance from John Boyega and a farewell to Michael Kenneth Williams highlight true-life hostage thriller ‘892’ [Grade: B]
Sundance Review: Kogonada’s emotionally rich ‘After Yang’ is destined to be one of the year’s best films [Grade: A]
Sundance Review: Where ‘Watcher’ lacks in originality, it more than makes up for with a thrilling central performance from Maika Monroe [Grade: B+]
Sundance Review: ‘Fresh’ explores a “meat cute” gone wrong [Grade: B-]
Sundance Review: Almost anything would be better than a poke in the eye with Lena Dunham’s ‘Sharp Stick’ [Grade: D]
Sundance Review: Emma Thompson hits a career high in the sexy and sex positive ‘Good Luck to You, Leo Grande’ [Grade: A]
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
Director Watch Podcast Ep. 139 – ‘Les Rendez-vous d’Anna’ (Chantal Akerman, 1978)