The French actress Mélanie Thierry will be the President of the 2021 Caméra d’or that will award a first feature film selected at the Festival... Read More
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Warner Bros and HBO Max today released the first official trailer for their upcoming Sopranos prequel The Many Saints of Newark, starring Michael Gandolfini, son... Read More
If ever there was a time when the world needed a Marvel film to bring everyone together, it is now. And Black Widow is very... Read More
Hailed as the next great fantasy series, Shadow and Bone is one of most exciting shows on television right now. Based on the books by... Read More
Now in its fourth season, The Crown is still a force to be reckoned with. In its fourth Emmy season, the series remains a major... Read More
The nominations for the 48th Annual Daytime Emmy Awards Children’s & Animation and Lifestyle categories were announced today where Zac Efron, Tiffani Thiessen, Cheyenne Jackson,... Read More
The Academy Museum of Motion Pictures will open to the public on September 30, 2021 The Academy Museum of Motion Pictures today announced the election... Read More
I’m feeling very good about my Asghar Farhadi prediction last month as his new film, A Hero, was announced in competition for this summer’s Cannes... Read More
2020 was a challenging year for university studies and many language courses had to be paused. Language learners had to discover alternative ways to practice... Read More
The Good Lord Bird is one of the standouts of the current Emmy season. Based on the book by James McBride, and with an all-star... Read More

Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
41st Film Independent Spirit Awards: ‘Train Dreams’ Takes Best Feature, Director; ‘Adolescence’ Sweeps TV Wins
Make-Up Artists & Hair Stylists Guild (MUAH) Awards: ‘Frankenstein, ‘One Battle After Another,’ ‘Sinners’ Take Top Wins
‘Mouse’ Review: Sophie Okonedo and Katherine Mallen Kupferer Shine in Tender Portrait of Grief and Growing Up [B+] Berlinale
UK Casting Directors’ Guild Awards: ‘Hamnet,’ ‘Adolescence’ Take Top Wins
On the Shelf: ‘Ben-Hur,’ ‘All the President’s Men,’ ‘Boxcar Bertha,’ ‘The Visitor’ Arrive on 4K, Lubitsch Musicals added to Criterion in Physical Media releases for the Week of February 16
Final Additions to South by Southwest Film & TV Festival (SXSW), Including ‘Love Language,’ ‘Cookie Queens’ and ‘The Fox’
Frontrunner Friday Oscar Predictions: Paul Thomas Anderson Inches Closer (2/13/26)
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Cannes 2021: Mélanie Thierry is President of the Caméra d’or jury
Trailer: ‘The Many Saints of Newark’ tells the story of a young Tony Soprano
‘Black Widow’ review: It’s a family affair in the female-centered action extravaganza we’ve been waiting for
Interview: Wendy Partridge on the challenges of creating 2000 costumes for ‘Shadow and Bone’
Interview: Hair and makeup artist Cate Hall on the daunting duty of recreating The Iron Lady and Princess Diana for ‘The Crown’
Daytime Emmys: Children’s, Animation, Lifestyle nominations announced; Courteney Cox, Zac Efron, ‘Julie and the Phantoms’ and more
Eva Longoria elects to Academy Museum Board of Trustees; Sid Ganis named honorary trustee
2022 Oscar Predictions: BEST DIRECTOR (June)
Does Watching TV Shows in a Foreign Language Really Help With Learning It?
Interview: Hair designer Belinda Anderson on the challenges and triumphs of ‘The Good Lord Bird’
Online Film & Television Association (OFTA) Awards: ‘Sinners’ Tops with 10
AwardsWatch Podcast Ep. 333 – Reviewing “Wuthering Heights” and BAFTA Preview
‘Rose’ Review: Sandra Hüller Commands the Screen in Gender-Bending Period Piece with a Towering, Career-High Performance [A-] Berlinale