Some films don’t know what they want to be – and that’s certainly the case with Benny Safdie’s The Smashing Machine, a film that continuously... Read More
Other
“All my memories are movies” says the titular Jay Kelly (George Clooney) to his mentor, veteran director Peter Schneider (Jim Broadbent) as they stand in... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Day three of the 52nd Telluride Film Festival has revealed a striking theme woven through its lineup: imperfect fathers. Across many of the films I... Read More
In Rose of Nevada, the sea does not simply serve as a backdrop but as a force of memory and fate. Mark Jenkin returns to... Read More
Religious dramas are not really my cup of tea, to use a British expression. I’m a big fan of Ingmar Bergman, but I’m not really... Read More
This musical biopic can be a tricky thing to get right, especially for a fan of the artist being portrayed in the film. The growing... Read More
Since the start of humanity, mankind has always been fascinated with the concept of time. The notion of past, present, future has often been analyzed... Read More
“All that lives must die,/Passing through nature to eternity.” -Hamlet Act One, Scene 2 Early in Chloé Zhao’s staggering Shakespearean fairytale, Hamnet, Agnes (Jessie Buckley)... Read More
In the new film Tuner, an aging piano tuner and his young apprentice and assistant trapeze around the Tri-State area fine tuning pianos mostly for... Read More

DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
‘zi’ Review: Kogonada’s Latest is a Return to Minimalism But Frustratingly Unfocused [C+] Sundance
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
‘Star Wars: Episode V — The Empire Strikes Back’ to Close 69th San Francisco International Film Festival (SFFILM) at The Castro Theatre
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘The Smashing Machine’ Review: Benny Safdie’s Cautious Fighter Drama Pulls its Punches [C] Venice
‘Jay Kelly’ Review: Fame Comes at a Reflective, Personal Price in Noah Baumbach’s Newest Masterpiece [A-] Telluride
Director Watch Podcast Ep. 114 – ‘Late Spring’ (Yasujirō Ozu, 1949)
Telluride Dispatch #3: Dad Mode with ‘Sentimental Value,’ ‘Hamnet,’ ‘Frankenstein’
‘Rose of Nevada’ Review: George MacKay and Callum Turner Get Spooked in Mark Jenkin’s Ghostly Fisherman Fable [A-] Venice
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A] Venice
‘Springsteen: Deliver Me From Nowhere’ Review: Scott Cooper’s Uneven Snapshot at The Boss’ Crucial Album Features an Astonishing Jeremy Allen White [C+] Telluride
‘Below the Clouds’ Review: Gianfranco Rosi’s Volcano Doc Erupts with Humanity [B+] Venice
‘Hamnet’ Review: Jessie Buckley and Paul Mescal Will Break Your Heart in Chloé Zhao’s Timeless Tale of Profound Loss and Boundless Love [A] Telluride
‘Tuner’ Review: Dustin Hoffman’s Piano Lesson is so Tightly Wound it Plays Entirely Off Key [D] Telluride
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts