To call the flood of Disney’s live-action remakes of their animated classics cynical would be far, far too generous. Words like “scourge,” “artistically bankrupt,” and... Read More
Other
Director Chie Hayakawa’s sophomore feature, after 2022’s Plan 75, sees her pivot from telling a futuristic story about euthanasia to a past-set coming-of-age tale. Renoir... Read More
You know that feeling, even in 2025, when you hear someone cough in any environment how it triggers a kneejerk response? It’s impossible to not... Read More
Wes Anderson’s latest film, The Phoenician Scheme, starts off with a bang. No literally it does, as we find Anatole “Zsa-zsa” Korda (Benicio del Toro),... Read More
Love Letters opens with a broadcast reporting France has legalised same-sex marriage; it’s a national celebration, but for Céline (Ella Rumpf), there is still unfinished... Read More
You won’t find a better elevator pitch at Cannes this year than the premise for the Thai Critics’ Week title A Useful Ghost, a supernatural... Read More
Perhaps the most mesmerising Competition entry thus far, Óliver Laxe’s Sirāt takes us to a world of desert raves where the promise of salvation still... Read More
Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of... Read More
Early in Mascha Schilinski’s sophomore feature, Sound of Falling, Alma (Hanna Heckt) and her sisters play a prank on one of the maids. They know... Read More
The grim iron gates of a Soviet prison open up as director Sergei Loznitsa begins his exploration of Soviet state repression, told through the lens... Read More

‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?
How Writer-director Emilie Blichfeldt and the Oscar-nominated Hair and Makeup Team Behind ‘The Ugly Stepsister’ Twisted Cinderella Into a Gruesome Cautionary Tale [VIDEO INTERVIEW]
Director Watch Podcast Ep. 138 – ‘Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles’ (Chantal Akerman, 1975) with special guest Morgan Roberts
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Interview: ‘A Poet’ filmmaker Simón Mesa Soto on How His Literary Madcap Comedy Came to Be
SXSW Adds 50+ Titles to 2026 Festival Slate Including ‘The Comeback’ Season 3, Two Thrillers with Adam Scott
Gotham Film Institute Reveals Dates for 2026 Film and Television Awards
Frontrunner Friday Oscar Predictions: The Calm Before the Storm (2/6/26)
Frontrunner Friday Oscar Predictions: We Need to Talk About ‘Marty’
Frontrunner Friday: First Take on 2026 Oscar Winner Predictions
‘Lilo & Stitch’ (2025) Review: Nostalgia Can Only Carry So Far But Stitch Remains a Lovable Rascal [C+]
‘Renoir’ Review: Chie Hayakawa’s Gentle Coming of Age Story Gives Way to a Powerful Debut Performance from Yui Suzuki [C+] Cannes
‘Eddington’ Review: No Country for Men, Women or Children [B+] Cannes
‘The Phoenician Scheme’ Review: Wes Anderson’s Latest Explores the Meaning of Legacy and Features a Superb Breakthrough Performance from Mia Threapleton [A-] Cannes
‘Love Letters’ Review: A Quietly Powerful Portrait of Queer Motherhood [B] Cannes
‘A Useful Ghost’ Review: Vacuum Cleaner Love Story Doesn’t Suck [C+] Cannes
‘Sirāt’ Review: Óliver Laxe Takes Us on a Sisyphean Journey of Sound and Fury Road [A-] Cannes
Director Watch Podcast Ep. 99 – ‘The Lord of the Rings: The Fellowship of the Ring’ (Peter Jackson, 2001)
‘Sound of Falling’ Review: What It Feels Like For a Girl [A-] Cannes
‘Two Prosecutors’ Review: Sergei Loznitsa’s Brooding, Minimalistic Procedural Exposes Soviet Corruption [B+] Cannes
‘Pillion’ Review: Alexander Skarsgård Puts the Dom in Domesticity [A-]
Australian Academy Award Winners (AACTA): ‘One Battle After Another,’ ‘Bring Her Back’ Lead
DGA Awards Predictions: Is it a Paul Thomas Anderson Coronation or Can Ryan Coogler Prevail?