Our Gold Rush Gang predicts the PGA nominees

We are in the lull of the season, with most people either still digesting Christmas dinner or preparing their firecrackers for New Years Eve (except the good people of Central Ohio, it seems). But fear not, a week of important nominations is coming up, as the guilds begin to roll out their nominees. The PGA, WGA, and DGA all announce their nominations in the first week of January, and today we look ahead to what out own Gold Rush Gang predicts for the first of these three organizations, the Producers Guild of America, which unveils their list in Thursday.

To be fair, there is little to discuss, as we see quite a bit of consensus in these picks. All members predict the following set of films: 12 Years A Slave, American Hustle, Captain Phillips, Dallas Buyers Club, Gravity, Her, Inside Llewyn Davis, Nebraska, and The Wolf Of Wall Street. The faith in eight of these films was already established, but Dallas Buyers Club seems to gain believers by the day. Will it continue to strengthen now that the guilds are going to weigh in? That is probably the most interesting story to follow in the coming two weeks leading up to nomination morning, in addition to seeing how the chips fall for the four films that one would think to some extent need the ‘passion vote’ to make it in (Her, Inside Llewyn Davis, The Wolf Of Wall Street, Nebraska).

Only three other films get votes here, the most going to Lee Daniels’ The Butler (a typical producers film, plus half the guild has a production credit on that film), with Fruitvale Station and Saving Mr. Banks both getting a lone vote. The latter continues to get no vote of confidence from AwardsWatch, and the coming week will prove if that feeling is substantiated.

If you’re missing the votes of some people: hey, some of us need Christmas vacations too! Predicting the Oscars is hard work, you know.

[divider]

• Author
• Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Latest posts by Erik Anderson (see all)

• 2024 North Texas Film Critics Association (NTFCA) Nominations - December 24, 2024
• 2024 Online Association of Female Film Critics (OAFFC) Winners: ‘The Substance” Dominates - December 23, 2024
• 2024 Greater Western New York Film Critics Association (GWNYFCA) Nominations - December 23, 2024