Sony Classics Acquires North American Rights to Pedro Almodóvar’s ‘The Room Next Door’ with Julianne Moore, Tilda Swinton, John Turturro

Sony Pictures Classics announced today that they have acquired all rights in North America, the Middle East, India, South Africa, Australia, and New Zealand to Pedro Almodóvar’s first English-language feature film, The Room Next Door, starring Julianne Moore, Tilda Swinton, and John Turturro. Produced by Almodóvar’s El Deseo, the film will begin shooting this March in New York and Madrid.

In Almodóvar words, “The Room Next Door is about a very imperfect mother and her resentful daughter, who live separate lives because of a profound misunderstanding. Ingrid (played by Julianne Moore), a friend of the mother, will become the custodian to mother and daughter’s pain and bitterness. Martha, the mother (played by Tilda Swinton), is a war correspondent and Ingrid is an auto fiction novelist.

The film talks about the unlimited cruelty of wars, the two different ways these two writers have of approaching and writing about reality, also about death, and how friendship and sexual pleasure can be the best allies to deal with horror. It also talks about the pleasure of waking up to birds bringing a new day at a house built on a natural reserve in New England, where the two friends live an extraordinary and awkwardly sweet situation.”

Sony Pictures Classics has released many of Almodóvar’s films, most recently his Oscar-nominated feature Parallel Mothers and the short films Strange Way of Life and The Human Voice. The latter, which also stars Swinton, marked Almodóvar’s first English-language film.

Additionally, both Swinton and Moore have starred in several other films released by Sony Pictures Classics. Swinton’s work with the distributor includes Orlando, Only Lovers Left Alive, and Young Adam, and Moore has previously starred in Still Alice (for which she won the Academy Award for Best Actress), Safe, and more.

• Author
• Recent Posts

Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

Latest posts by Erik Anderson (see all)

• 2024 North Carolina Film Critics Association (NCFCA) Nominations - December 21, 2024
• 2024 Philadelphia Film Critics Circle (PFCC) Winners: ‘Anora’ Named Best Film Among its Six Awards - December 21, 2024
• 2024 Utah Film Critics Association (UFCA) Nominations - December 21, 2024