‘Tow’ Review: Rose Has Plenty to Byrne But In Woefully Uninspired Vehicle [C+]
To the delight of many a gay, Rose Byrne recently received her first Oscar nomination for her shattering, darkly hilarious performance in If I Had... Read More
dominic sessa
FINAL 2024 Oscar Predictions: SUPPORTING ACTOR
With this year’s RRR – Robert Downey Jr., Ryan Gosling and Robert De Niro – firmly in place, like so many categories (especially acting) it’s... Read More
Utah Film Critics Association (UFCA) Awards: ‘Past Lives’ Named Best Picture, Andrew Scott Wins Best Actor
The Utah Film Critics Association (UFCA) has chosen the best in film for 2023, selecting Celine Song’s Past Lives as Best Picture, Best Director and... Read More
2024 Oscar Predictions: SUPPORTING ACTOR (December)
Almost identical to how supporting actress is playing out, five supporting actor contenders have earned both Golden Globe and Critics Choice nominations: Ryan Gosling in... Read More
Interview: Alexander Payne on Creating ‘The Holdovers’ and Making It Good til the Last Drop
“Do you want to go outside? It’s a nice day, let’s talk out there.” This was my first bit of direction from Academy Awards nominated... Read More
2024 Oscar Predictions: SUPPORTING ACTOR (October)
Ryan Gosling (Barbie) leap frogs over Robert Downey Jr. (Oppenheimer) this month but otherwise the lineup is not finding itself easy to move around. The... Read More
‘The Holdovers’ Review: Alexander Payne’s Emotional, Charismatic Comedy is his Best Film in Years | Telluride
From the opening title cards and credits of Alexander Payne’s latest film, The Holdovers, he instantly transports us back in time by presenting a film... Read More
Trailer Watch: ‘Spider-Man: Brand New Day,’ ‘Dune: Part Three,’ Disclosure Day,’ ‘Wild Horse Nine’ 
‘Anima’ Review: Sydney Chandler and Takehiro Hira Ground Brian Tetsuro Ivie’s Low-Fi Sci-Fi Road Movie [B+] SXSW 
Six Join 51st Residence of the Festival de Cannes, including Harry Lighton, Mansi Maheshwari, Oliver McGoldrick 
‘Jury Duty Presents: Company Retreat’ Review: The Emmy-Nominated Hit Returns as an Hilarious Workplace Comedy [B+]