As in Best Director, the most substantial moves up go to A24’s The Farewell and Neon’s Parasite, the latter of which enters the top 10... Read More
harriet
A much, much richer category than Adapted, the sheer volume of high-level contenders in Original Screenplay this year is overwhelming. The box office may be... Read More
Is Fox’s Ford v Ferrari a commercial or awards push? Is it both? I’ve elevated the film in all categories this week, largely in part... Read More
Original Screenplay sees some green this month as I move A Beautiful Day in the Neighborhood over to Adapted, bumping up The Farewell, Harriet and... Read More
A Best Picture lineup consisting of classic Oscar themes like gangsters, war, adaptations of classic novels, bold takes on old tales and female-fronted and directed... Read More
The screenplay categories are a bit convoluted with some contenders muddied as to whether or not they are truly original or truly adapted. We’ve seen... Read More
I’m baaaaaack. It took a while, I know. My peers have already kicked off their 2020 predictions (as I normally do, I just needed some... Read More

2020 Oscar Nomination Predictions: BEST PICTURE (July)
2020 Oscar Nomination Predictions: BEST PICTURE (June)
2020 Oscar Nomination Predictions: ORIGINAL SCREENPLAY (June)
2020 Oscar Nomination Predictions: BEST PICTURE (May)
2020 Oscar Nomination Predictions: ORIGINAL SCREENPLAY (May)
2020 Oscar Nomination Predictions: BEST PICTURE (April)
‘The Testament of Ann Lee’ Review: Amanda Seyfried is Mother (Ann) in Mona Fastvold’s Miraculous Musical Drama [A]
With ‘Song Sung Blue,’ Craig Brewer Pays Tribute to Kate Hudson and Hugh Jackman, Joy Amongst Sadness, and the Creation of Art [VIDEO INTERVIEW]
Director Watch Podcast Ep. 131 – ‘High Life’ (Claire Denis, 2019)
Alliance of Women Film Journalists (AWFJ): ‘One Battle After Another,’ ‘Hamnet’ Lead