'For Sama' and 'Honeyland' win International Documentary Association (IDA) awards
The International Documentary Association (IDA) handed out the 35th Annual IDA Documentary Awards last night at a ceremony at Paramount Studios in Los Angeles and... Read More
knock down the house
2020 Oscars: ‘Hail Satan?,’ ‘Sea of Shadows,’ ‘Western Stars’ among 159 films submitted for Documentary Feature race
One hundred fifty-nine features have been submitted for consideration in the Documentary Feature category for the 92nd Academy Awards. Several of the films have not... Read More
‘American Factory,’ ‘Apollo 11’ top Cinema Eye Honors 2020 nominations
Nominees for Outstanding Feature Film | American Factory, Apollo 11, For Sama, Honeyland, Midnight Family and One Child Nation American Factory and Apollo 11 lead all films... Read More
Watch the trailer for Sundance-winning doc ‘Knock Down the House’ featuring Alexandria Ocasio-Cortez
Watch the trailer for Sundance-winning doc ‘Knock Down the House’ featuring Alexandria Ocasio-Cortez
“For one of us to get through, a hundred of us have to try.” In 2018, 529 women ran for Congress. Four exceptional women mount... Read More
At the San Francisco International Film Festival, the Present is Female
The San Francisco International Film Festival, the longest running film festival in the Americas, is about to embark on its 62nd year and with it... Read More
2019 Sundance: ‘Knock Down the House’ wins Overall Festival Favorite
All 121 Features Screened Eligible for Award The Sundance Institute today announced Knock Down the House as the winner of the Festival Favorite Award, selected by... Read More
‘Shōgun,’ ‘Ripley,’ ‘Only Murders in the Building’ Earn Casting Society (CSA) Artios Awards Television Nominations 
Trailer Watch: ‘Unstoppable,’ ‘Paddington in Peru,’ ‘Cruel Intentions,’ ‘Squid Game 2’ and More 
‘Separated’ Review: Errol Morris Hasn’t Forgotten Trump’s Immigration Policy Cruelty and Neither Should We | Chicago International Film Festival 
‘Wallace & Gromit: Vengeance Most Fowl’ Review: There’s No Place Like Gnome | AFI FEST