In Mike Nichols’ sharp romantic comedy Working Girl, Tess McGill (Melanie Griffith) is the perfect blend of aspirational and relatable, a New York woman. When... Read More
materialists
There’s been a lot of talk about Materialists. That in and of itself isn’t especially surprising. After all, it is the follow-up to filmmaker Celine... Read More
A stacked week of physical media is arriving at your doorsteps as we start with two of the most talked about films of the summer,... Read More
On episode 291 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Karen Peterson to review the second feature film from... Read More
It may have come as a surprise to film lovers when Celine Song announced that her sophomore feature would be a romantic comedy. After all,... Read More
Celine Song begins her lovely sophomore feature, Materialists, with a bit of a surprising artistic gamble. We’re surrounded by mountains in nature, and it’s oh... Read More
Teasers, trailers and even teasers for trailers coming next week, including much-anticipated next films from Oscar-nominated auteurs, follow-ups to major feature debuts, this summer’s Pixar... Read More

Interview: Celine Song on Creating a Victorian Romance in 2025 and Knowing Dakota Johnson was Her Working Girl in ‘Materialists’
Zoë Winters on Being the Center of the ‘Materialists’ Discourse and the Safety of Working with Celine Song [Interview]
On the Shelf: ‘Materialists,’ ‘Lilo & Stitch,’ Modern Horror Mayhem, Criterions, and More Arrive Home on Physical Media
AwardsWatch Podcast Ep. 291 – Reviewing Celine Song’s ‘Materialists’
‘Materialists’ Director Celine Song on How the Past Informs Her Modern Rom-Dramedy and Her Filmmaking Ambitions [VIDEO]
‘Materialists’ Review: Love is Worth the Investment in Celine Song’s Refreshingly Modern Romance [B+]
Trailer Watch: ‘One Battle After Another,’ ‘Materialists,’ ‘Elio,’ ‘On Swift Horses,’ ‘Together,’ ‘Freakier Friday’
FINAL Frontrunner Friday Oscar Predictions of the 2025/2026 Season
FINAL 2026 Oscar Predictions: BEST PICTURE and BEST DIRECTOR
‘I Love Boosters’ Review: Boots Riley’s Dressed to Excess Cartoon Revolution is Too Much and Not Enough [B-] SXSW
‘Margo’s Got Money Troubles’ Season One Review: Elle Fanning and Michelle Pfeiffer Momedy Hits the Mark [B+]