In journalism, it’s never just the story. There’s also the story behind how it got published, how the people behind the scenes worked to get... Read More
sxsw review
It’s one thing to be asked questions about your background, to make sure all information is in line and to ensure everything is in order... Read More
It all started with a book that shouldn’t have been opened and human curiosity. Young people find this ancient artifact (Necronomicon) that oozes with sinister... Read More
The music that Cora (Megan Stalter) plays isn’t particularly pleasant on the ears. With lyrics like “get out of my house” and “dreams are stupid... Read More
When do you really know that the world is ending, and it’s okay to do something completely out of character with irreversible consequences? There’s no... Read More
When we first meet Alejandro at a young age in Problemista, he is dreaming of a world beyond the one that we live in. His... Read More
Right before we were about to see Jake Johnson’s feature length directorial debut Self Reliance at the 2023 SXSW Film Festival, he came on stage... Read More
How do comedians deal with PTSD? Typically, it’s to tell jokes to mask or subvert the trauma, but that doesn’t necessarily make the pain go... Read More
As Emma Seligman’s sophomore feature film, Bottoms, begins, we are introduced to PJ (Rachel Sennott) and Josie (Ayo Edebiri), our two protagonists who we will... Read More
Midway through National Anthem, Dylan (Charlie Plummer) asks Sky (Eve Lindley) why she’s interested in him, self-proclaiming that he’s boring. “I don’t think you’re boring,”... Read More

‘Tetris’ review: Iconic video game origin story gets fun, Cold War thriller treatment and a winning Taron Egerton | SXSW
‘Upon Entry’ review: Alejandro Rojas and Juan Sebastián Vásquez present a tense look at the abusive powers of immigration authority | SXSW
‘Evil Dead Rise’ review: Lee Cronin reanimates the classic horror franchise with a gleefully gruesome performance from Lily Sullivan | SXSW
‘Cora Bora’ review: Megan Stalter is a captivating, comedic wrecking ball in Hannah Pearl Utt’s hilarious and poignant comedy | SXSW
‘If You Were the Last’ review: Zoë Chao and Anthony Mackie give gravity some levity as stranded astronauts in an out-of-this-world comedy | SXSW
‘Problemista’ review: Julio Torres’s inventive immigration satire finds him bonded with an extra kooky Tilda Swinton | SXSW
‘Self Reliance’ review: Jake Johnson’s spoof on high concept game show premise plays it a bit too safe | SXSW
‘I Used to Be Funny’ review: Rachel Sennott is spectacular in Ally Pankiw’s confrontation of comedy and trauma | SXSW
‘Bottoms’ review: Emma Seligman’s unapologetically queer-centric high school sex comedy is a revelation for the subgenre | SXSW
‘National Anthem’ review: Luke Gilford explores the wondrous, inviting world of America’s queer rodeo | SXSW
‘Jay Kelly,’ ‘Hamnet,’ ‘Pluribus,’ ‘Task’ and More on AFI’s Top 10 Films and Television of 2025 Lists
‘Frankenstein’ to Receive Visionary Honor from Palm Springs International Film Awards
Robert Yeoman to be Honored with American Society of Cinematographers’ Lifetime Achievement Award
National Board of Review: ‘One Battle After Another’ Tops in Film, Director, Actor, Supporting Actor; Netflix Lands Four in Top 10