2021 Oscar Predictions: VISUAL EFFECTS (February)
After the shocking snubs of Sonic the Hedgehog, The Invisible Man and Greyhound, the Oscar shortlist for Visual Effects gave us some big surprise inclusions... Read More
the midnight sky
Interview: Production Designer Jim Bissell and VFX supervisors Chris Lawrence and Matt Kasmir on their process and inspirations of creating ‘The Midnight Sky’
George Clooney is back behind – and in front of – the camera after successful films like Good Night, and Good Luck. and The Monuments... Read More
2021 Oscar Predictions: PRODUCTION DESIGN (January)
I think I slept on Tenet for too long here. Nathan Crowley is a 5-time nominee in this category, four of them for Christopher Nolan... Read More
2021 Oscar Predictions: VISUAL EFFECTS (January)
Finally a little bit of action in this category. With nearly all of the major player blockbusters that would have dominated this category moved off... Read More
2021 Oscar Predictions: SOUND (January)
War is hell. It’s also a prime Sound Oscar contender zone. Even with the newly merged sound categories, war films and films with lots of... Read More
2021 Oscar Predictions: SOUND (December)
This year, the first we go back to a single Sound category (a terrible idea), is going to offer us a lot of variety even... Read More
2021 Oscar Predictions: VISUAL EFFECTS (December)
All is quiet on the visual effects front this month. Too quiet. No movement at all in the top 10 but that’s what happens when... Read More
Film Review: ‘The Midnight Sky’ feels like a hopeful magnum opus, but falls short of epic odyssey
George Clooney is a director of much ambition. Unafraid it seems to tackle any narrative of any genre, and The Midnight Sky feels like the... Read More
2021 Oscar Predictions: VISUAL EFFECTS (November)
She’s back. After months of moving dates and deliberations, Warner Bros dropped a bombshell announcement last week that Wonder Woman 1984 would be released simultaneously... Read More
2021 Oscar Predictions: SOUND (November)
The Prom could be music to the ears of the sound branch of the Academy as one of the very few true musicals this year.... Read More
Retrospective: Amped Up Jason Statham, Super-Charged Nipple Clamps and the Postmodern American Vulgarity of ‘Crank: High Voltage’ (2009) 
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