Television Academies announce realignment of Daytime and Primetime Emmy Awards

The National Academy of Television Arts & Sciences (NATAS) and Television Academy have jointly announced plans to realign the Daytime and Primetime Emmy Awards. Moving forward, the competitions will be organized solely by content genre as opposed to the current method, which separates programs based on program airtime. There is no plan on the two academies re-merging and each will remain independent of each other.

The announcement, which follows the Academies’ recent collaboration on expanding the Children’s & Family Emmy Awards into a standalone franchise, represents a transition that allows the competitions to reflect consumers’ evolving viewing habits, reduce category overlap, and provide clarity on eligibility requirements.

“NATAS and the Television Academy each pride ourselves on celebrating and honoring the best television has to offer, and with the evolution of our industry, it was critical to update our competitions to meet current trends in both content and viewing habits,” said Adam Sharp, President and CEO, NATAS. “These changes will allow each Academy to honor an undivided scope of achievement in our respective fields of television excellence.”

As submissions continued to rise in conjunction with the increase in content, the two academies decided to capitalize on the moment to strategize on this new approach and use the shift to genre-based awards to ensure the competitions’ continued evolution and relevance. While the majority of categories will be realigned for the 2022 competitions, Game Show and Instructional & DIY programming categories will remain divided by airtime for the 2022 competitions while the Academies look to a genre-based alignment for the 2023 competition year.

“The realignment of these Emmy competitions represents the most significant collaboration between the Television Academy and NATAS since the two became separate entities in 1977,” said Maury McIntyre, President and COO, Television Academy. “We’re proud to be responsive to the needs of the creative community and the evolution of our industry, ensuring the Emmy Award remains the preeminent mark of excellence across all genres of television.” 

While further information by category will be forthcoming in the Daytime Emmys Call for Entries, scheduled for release in January 2022, notable updates include:

• Scripted dramas and comedies will enter the Television Academy-administered national competition, irrespective of airtime, with two exceptions which will enter NATAS’ national competitions: (1) Programming intended for ages 15 and under will be represented in the Children’s & Family competition; and (2) the Daytime Drama categories will remain in the Daytime competition and be redefined to include “any multi-camera, weekday daily serial, spin-off or reboot.”
• Programming previously awarded in the Limited Drama categories of the Daytime competition will transition to the Primetime competition.
• Talk shows will be awarded in each competition, separated by format and style characteristics reflective of current programming in the daytime or late night space.
• The Morning Show and Spanish-Language Morning Show categories will be retired from the Daytime competition, with such programming eligible instead in the NATAS-administered News & Documentary Emmys or the Daytime competition’s Talk Show categories, depending on show format.
• Game Show and Instructional & DIY programming categories will remain divided by airtime for the 2022 competitions, while the Academies look to a genre-based alignment for the 2023 competition year.
• All other categories will be clarified such that content creators will submit to a single competition on the basis of submission genre, irrespective of airtime. 

The Daytime, Primetime, and Children’s & Family judging periods will be spread out on non-conflicting timelines throughout the year to allow adequate time for submissions and judging. 

The Television Academy and NATAS will also form a joint-Academy panel charged with making eligibility determinations between competitions and respective categories. Show producers who are unsure of the competition for which they are eligible or who are petitioning to switch contests will be encouraged to submit to the eligibility review panel prior to submission.

Photo: Elliott Cowand Jr/Shutterstock

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Erik Anderson

Erik Anderson is the founder/owner and Editor-in-Chief of AwardsWatch and has always loved all things Oscar, having watched the Academy Awards since he was in single digits; making lists, rankings and predictions throughout the show. This led him down the path to obsessing about awards. Much later, he found himself in film school and the film forums of GoldDerby, and then migrated over to the former Oscarwatch (now AwardsDaily), before breaking off to create AwardsWatch in 2013.

He is a Rotten Tomatoes-approved critic, accredited by the Cannes Film Festival, Telluride Film Festival, Toronto International Film Festival and more, is a member of the International Cinephile Society (ICS), The Society of LGBTQ Entertainment Critics (GALECA), Hollywood Critics Association (HCA) and the International Press Academy. Among his many achieved goals with AwardsWatch, he has given a platform to underrepresented writers and critics and supplied them with access to film festivals and the industry and calls the Bay Area his home where he lives with his husband and son.

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